Pōhakuloa

"E ku a mu mu." (Be still! It is a god!)

“In ancient time women when they were to become Mothers made a pageant of love and ambition to this stone (Pōhakuloa) giving a Mohai (offering) laying before this God a fish called Hilu and emblem of gentleness, graceful, and good disposition in the child.  The fish Hilu was accompanied with the leaves of the Lama (a very large wood used in building houses for the Gods), and Emblem of wisdom, ambition and brightness for the child, Lamalama a torch (a beacon of light.)” (Montano - Galioto)

Pukui says it’s a “Large stone believed to bless expectant mothers and endow children with strength and wisdom.”  “The Pōhakuloa stone … was worshipped by Hawaiian women who prayed for their children to have wisdom and strength.”  (Aluli & McGregor)

About 1830, Queen Ka‘ahumanu ordered that a wall should be built from Punchbowl past Punahou to keep cattle from the inland residential areas. The stone wall also marked a path across Makiki that was first called Stonewall Street (it’s now known as Wilder Avenue.)

The Queen wished to form a gateway at Punahou School through this wall, and wanted two large stones on each side of the gate.

The stone would not move at first, so a kahuna was consulted.  The kahuna suggested that a lūʻau, or feast, be prepared with certain foods. After the lūʻau, the stone was moved easily to its new spot.

“My father had great difficulty in persuading them to move a large stone, which they revered as a Kupua, or local deity.  This was to be placed at one side of the upper gate as a part of the wall. It was considered very dangerous to move a Kupua, and disaster was almost sure to follow. The workmen believed that the rock would remain stationary and refuse to be up-rooted, but it was displaced without any calamity and dragged by a team of oxen to the gate.”  (Rice, The Friend, March 1924)

“The stone was to be transported from the northeastern slope of Round Top (near the former home of Mrs. FM Swanzy). Its sacred nature required that 'So sacred was Pōhakuloa that none but the king himself could sanction its removal and for that ceremony even the presence of the king was necessary, stripling though he was.'" (Damon, The Friend, March 1924).

“The big rock was exhumed from its bed (on the west side of the road leading to Manoa Valley, opposite the old “Cow Pen”) and rolled upon a framework of ship’s spars. The young King (Kamehameha III) then seated himself upon the apex of the rock, and gave the word of command, when rock, King and all were lifted upon the shoulders of the hulumanus - numerous as ants tugging at a kernel of corn - and carried down to its place.”  (Damon, The Friend, March 1924)

Pōhakuloa was shaped like a “mammoth taro leaf.”  Originally nine feet in length, the rock stood seven feet above ground and two below.

“(T)he huge lava boulder that stood guard at the Punahou gate. A monumental pyramid it seemed, towering upward in grim majesty, - probably ten feet. A challenge it was to enterprising boys, with an instinct to decorate scenery with their initials, to climb its dizzy heights and leave their sculptured letters on the only "Walhalla" within reach.”  (Weaver, The Friend, March 1924)

“This rock was a curiosity about twelve feet high, and weighing several tons, and of the shape of a mammoth kalo. Often have I climbed to its top and eaten my lunch from my tin-pail thereon, and to my childish imagination it seemed as high as a church-tower."  (Judd, The Friend, March 1924)

In 1854-59, Pōhakuloa, too large to move, was broken into pieces because it stood in the way of a road widening project.  A remainder of Pōhakuloa still stands at Punahou’s front gate.

“The other part of the stone … was given to a Japanese consul living at the corner of Beretania and Makiki streets. Kapiʻolani Maternity Home was later built at this site and some believe that the mana (divine power) of this pōhaku was a factor in its siting.”  (Aluli & McGregor)

Reportedly, there is another significant stone at Punahou, called Keapopo.  The story suggests it and Pōhakuloa would call to each other: “You come over here,” “No, you come here.”  (Manoa Heritage)

The image shows a remnant of the once larger Pōhakuloa at the Punahou School entrance (the plaque states "Punahou School Founded 1841".)

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The Sinclairs

The family dates back to early-Europe.  They took the name of Saint Claire from the place, probably Normandy, where their estate was located.  (Von Holt)

A senior Saint Claire married a daughter of Richard Duke of Normandy, father of William the Conqueror (their son fought in the Battle of Hastings, 1066.)  By 1481, the spelling of their name started to appear as Sinclair.  (Von Holt)

OK, let’s bring this closer to home.

Looking at genealogies and relationships between folks in Hawaiʻi, you tend to see a pretty tight group of people who are either related to each other, or the families had worked together for a long time.

On Kauaʻi, you hear the names, but the relationships aren’t evident.

Sinclair – Gay – Robinson – Knudsen

Keeping track of these folks is best done with the family tree.

You’ll see that the gang above are all in the family.  And, they link back to the Saint Claire clan of old.

It started in January 1824 when Captain Francis S Sinclair married Elizabeth (“Eliza”) McHutchison (sometimes spelled McHutcheson) – they were both from Glasgow, Scotland.

In 1840, the Sinclairs and their three sons and three daughters - George, Jane, Helen, James, Francis and Anne - made the move to New Zealand.  Exchanging their Scotland land, they established the farm ‘Craigforth’ in a cove on the western side of Pigeon Bay on South Island.

Craigforth was largely self-sufficient. There were no servants and the Sinclairs made their own shoes and clothes. The Sinclair girls “could manage a boat as well as their brothers, they were fearless riders…crack shots, and capable workers, so that the hardships and roughing of those early years were not too much for their buoyant spirits.”  (TeAra-govt-nz)

In 1846, Eliza’s husband and her eldest son, George, set off for Wellington. The ship, loaded with produce and with all the family's savings on board, was wrecked somewhere along the coast. There were no survivors.

Under the shadow of this tragedy, the widow and family persevered.

One of the captains of the whaling ships that regularly visited Pigeon Bay, Thomas Gay, married Jane Sinclair in 1848 and they built a house at the bay. Then, Helen Sinclair married Charles Barrington Robinson, the former magistrate at Akaroa and the owner of extensive land holdings in Canterbury.

Are you starting to see the connections?  Wait, there’s more.

In 1863, the Sinclairs decided to sell the Pigeon Bay farm and settle in Canada.  Eliza and 13 members of her family sailed for Canada via Tahiti (captained by her son-in-law, Thomas Gay.)  California was considered as an alternative place to settle, but they were persuaded to try Hawaiʻi. They travelled to Honolulu via Los Angeles, arriving there in September 1863.

The family was anxious to find land on which to settle and they were offered several large tracts on Oʻahu (at Kahuku, Ford Island and ʻEwa.)  When King Kamehameha IV heard the family might leave the Islands, the King offered to sell them the island of Niʻihau.  (Joesting)

After inspecting the place, they offered $6,000.  The government countered - $10,000 outright, or a lease at $750 per year.  Brothers James and Francis Sinclair bought it for the government’s price, $10,000.  (Joesting)

Kamehameha IV died on November 30 before the closing, so Land Grant No. 2944 shows his brother, Kamehameha V, completed the transaction in 1864.

As he signed the contract, the king said: '”Niihau is yours. But the day may come when Hawaiians are not as strong in Hawaii as they are now. When that day comes, please do what you can to help them.'”  (New York Times)

“It is said that the transfer of the island involved some hardships, owing to a number of the natives having neglected to legalize their claims to their kuleanas, but the present possessors have made themselves thoroughly acquainted with the language, and take the warmest interest in the island population.”  (Isabella Bird, 1894)

Sinclairs also bought land at Makaweli and Hanapepe on the adjoining Island of Kauaʻi. Ownership was subsequently passed down through the family.

Eliza Sinclair’s daughter, Anne Sinclair, married Valdemar Knudsen on Niʻihau in 1867.  Later, that family (with 5 children) lived in Waiawa and Halemanu in Kokeʻe (on Kauaʻi.)

The connections of the family names got a bit tighter when Aubrey Robinson (son of Helen Sinclair and Charles Robinson) married his cousin, Alice Gay (daughter of Jane Sinclair and Thomas Gay.)

The legacy continues.

Francis Gay formed a company with his brother-in-law (and cousin) Aubrey Robinson – Gay & Robinson.

Today, although the state records list them separately, if you combined the Robinsons’ holdings of nearly 51,000 acres on Kauaʻi and some 46,000 acres on Niʻihau, the family would be the sixth largest landowner in the state.  (sfgate-com)

The 2011 report lists Aylmer Robinson as the owner of Niʻihau, although he left it to his brother's family when he died in 1967, and nephews Bruce and Keith Robinson assumed control several years before the death of their mother, Helen, in 2002.  (sfgate-com)

Eric Knudsen, son of Anne Sinclair and Valdemar Knudsen, established the Eric A Knudsen Trust with extensive land holdings on Kauaʻi, as well.

Niʻihau isn’t the only island this extended clan owned in the Islands.

After methodically buying up individual parcels, by 1907, Charles Gay, youngest son of Captain Thomas Gay and Jane Sinclair Gay, acquired the island of Lānaʻi (except for about 100-acres.)  He was the first to establish the single-ownership model for Lānaʻi (with roughly 89,000 acres.)

Around 1919, Gay experimented with planting pineapple on a small scale.  He eventually sold his interest and James Dole's Hawaiian Pineapple Company, Ltd. began the subsequent establishment of its pineapple plantation.

The image shows the “Sinclairs” at the Makaweli House in 1893. Seated, left to right: Francis Gay, Mrs. George Gay, Mrs. Eliza Sinclair, Mrs. Charles Robinson, Mrs. Aubrey Robinson with Aylmer, Mr. Aubrey Robinson and Sinclair. Standing, left to right: Eliza Gay, Francis Sinclair, Mrs. Francis Sinclair and Mr. Wodehouse.

In addition, I have added other images in a folder of like name in the Photos section on my Facebook and Google+ pages.

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Transformation of Waimea, South Kohala, Hawaiʻi

Over the centuries, and even today, Waimea was an attractive draw with ideal climate and soils, and moderate distance from the ocean.

Still holding remnants of a cowboy town, it looked very different in centuries past – with transformation of forest lands, to agricultural fields, to pasture lands.

Now upper pasture land, archaeologists and others suggest the upper slopes of Waimea was a forest made up of ʻōhiʻa, koa, māmane, ʻiliahi (sandalwood) and other trees.  Pili grass and shrubs were also found.

Within these forested uplands, you could find a variety of forest birds, ʻiʻiwi, ʻelepaio, ʻapapane and others.  Fossil remains of a flightless goose have been found in the region.

This is what the earliest settlers to the region probably saw (however, it is likely the first settlers on the island probably first lived in the valleys on the wetter windward side of the island and others later came to Waimea.)

The forests had general characteristics of an open canopy and the appearance of a wooded parkland, particularly when contrasted with the grassy plains to the west and the dense “impenetrable” rainforest to the east.  (McEldowney)

Statements typifying these characteristics, generally made while enroute from the Waimea settlements, through Parker’s ranch house at Mana, and along Mauna Kea’s eastern slope, include: “a scanty forest” (The Polynesian 1840); “those parts of the plain adjoining Hāmākua are better wooded having a parklike appearance” (Sandwich Islands Gazette 1836); “well shaded by clumps of trees” (The Polynesian 1847); and is “thickly wooded with large trees, entirely free from underbrush, and is covered with a greensward, giving it the appearance of a parkland” (The Polynesian 1848.)  (McEldowney)

Reverend Lorenzo Lyons (missionary leader of Waimea’s Imiola Church and songwriter who composed "Hawaiʻi Aloha") frequently described his home as ʻAla ʻŌhiʻa Nei (home of the fragrant ʻōhiʻa lehua.) (Paris)

The population began to increase dramatically around 1100 AD and the west side population doubled every century.  (Kirch)  The population of the islands reached a peak in about 1650 AD, with a total of several hundred thousand.

Waimea’s initial population (probably first settling in the 1100s – 1200s) likely grew into a fairly large community.  Settlement areas expanded into the hillsides and out onto the drier Waimea plains.

As permanent settlements were established and populations grew, to feed the people and increase the amount of arable land, the leeward slopes and valleys were cleared of the native forest and replaced by intensively cultivated field systems.  (Watson)

Field walls (kuaiwi) delineated garden plots (Kihāpai) and helped retain the soil.  Fields were irrigated using canals (ʻauwai) that tapped the Waimea streams.  (Watson)

Once the advantages of living in Waimea were known, the population quickly grew.  Terraced agricultural plots expanded and more of the forest was removed.

The upper slopes of Waimea are said to have supported more than 10,000-people prior to contact.

Post-contact brought further changes – two major modern land-use practices transformed the landscape – first, the harvesting of sandalwood, which was shortly-followed by the management of the cattle herds.

Various references establish the importance of sandalwood, the most famous of early historic export commodities, in the Waimea region, while remarks such as, these “woods frequented by sandalwood cutters” suggest exploitable sandalwood was in the region’s māmane/koa forests. (McEldowney)

William Ellis, in 1831 wrote, “Before daylight on the 22d, we were roused by vast multitudes of people passing through the district from Waimea with sandalwood, which had been cut in the adjacent mountains for Karaimoku (Kalanimōku,) by the people of Waimea, and which the people of Kohala, as far as the north point, had been ordered to bring down to his storehouse on the beach, for the purpose of its being shipped to Oahu.  There were between two and three thousand men, carrying each from one to six pieces of sandalwood, according to their size and weight.”

In 1856, while editor of the Sandwich Islands’ Monthly Magazine, Abraham Fornander wrote an article arguing that large cattle herds had altered or ameliorated the climate of Waimea by destroying a “thick wood” that covered “the whole of the plain” as early as 1825 or 1830 (Sandwich Islands’ Monthly Magazine 1856).  (McEldowney)

All of this forever changed Waimea.  Once the native forests were cleared, the “natural” landscape of Waimea ceased to exist.  (Watson)

Early Hawaiians first altered the landscape by clearing the forest and plotting out agricultural fields; later, introduced species took over.

A notable introduced (and invasive) plant to Waimea is fountain grass; it was introduced on the island of Hawaiʻi as an ornamental plant in the 1920s.  It spread quickly and today, less than a century later, fountain grass is a dominant species along roadsides and in undeveloped areas on the leeward side of the island.  (Watson)

Waimea, we used to call it home – I miss it.

The image shows a map of early vegetation in and around Waimea (McEldowney.)  In addition, I have included other images in a folder of like name in the Photos section on my Facebook and Google+ pages.

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Ke Ala O Ka Hua Mele

Himeni & Na Aliʻi Compositions

Saturday, May 11th; Story Session: 5-6:15 pm; Performance: 7-9 pm
Hawaiian Mission Houses Historic Site and Archives

Ke Ala O Ka Hua Mele explores different eras of Hawaiian music. Integrating education with Hawaiian culture, Hawaiian Mission Houses is giving the public an opportunity to sit down and talk story with a panel of scholars, cultural practitioners, and kumu as they discuss the influences of missionaries, Aliʻi and others on the development of Hawaiian music.

Himeni & Na Aliʻi: Hawaiian Hymnals & Compositions by Hawaiian Monarchs
Featuring: Aaron Mahi, George Kuo and Martin Pahinui, the Kawaiahaʻo Choir, Kanani Kawika, Kalena Silva, Nola Nahulu, Kumu Hula Michael Pili Pang and Hālau Hula Ka Noʻeau

Aaron Mahi will moderate the free talk story panel from 5 - 6:15 pm that will include Kanani Kawika and Nola Nahulu.

After the free talk story, you can purchase pupu and drinks on the grounds, or bring a picnic lunch. Purchase admission to the 7 - 9 pm performance and enjoy George Kuo, Martin Pahinui, Kawaiahaʻo Choir, Kumu Hula Michael Pili Pang and Hālau Hula Ka Noʻeau presenting the best in dance and music the islands have to offer.

Saturday, May 11th
Free Talk Story Session: 5 - 6:15 pm
Performance: 7 - 9 pm
($30, pre-event pricing & $35, at the door pricing)

To reserve your tickets, call 447-3926 or book online.
Click here to be directed to the on-line reservation system.

The image is a flyer for the whole series (I am signed up for all.) The first one was great and we are looking forward to this next one.

Hoʻokuleana

Epidemics

It wasn't until humans began gathering in larger populations that contagious diseases had the opportunity to spread to epidemic proportions.  Infectious diseases have inflicted a great deal of damage throughout the centuries.

An epidemic is a disease "normally absent or infrequent in a population but liable to outbreaks of greatly increased frequency and severity," or a "temporary but widespread outbreak of a particular disease."  A Pandemic is an epidemic on a very wide geographical scale, perhaps worldwide, or at least affecting a large area of the world. (Hays)

As humans expanded their territory, they came into closer contact with microbes they might otherwise have never encountered. By storing food, humans attracted scavenging creatures such as rats and mice, which brought more microbes. (Discovery)

Human expansion also resulted in the construction of more wells and ditches, which provided more standing water for disease-carrying mosquitoes. As technology allowed for wider travel and trade, new microbes could easily spread from one highly populated area to another.  (Discovery)

Throughout recorded history, many towns, cities, countries and regions have been decimated by a particular epidemic - a high prevalence of disease attacking many people in a community at the same time.  (Kohn)

In extreme cases, a single disease outbreak can have a significant effect on a whole civilization, as with the epidemics started by the arrival of Europeans in the Americas, or the outbreak of bubonic plague that killed 20% of the population of Europe over a seven-year period in the 1300s.  (cornell-edu)

While the Hawaiian Islands are the world's most-isolated, populated-place, exploration and trade in the Pacific - and eventually "contact" - ultimately exposed Hawaiʻi to the ills already circulating around the globe - and added it to the points of contact for the spread of various diseases.

The maʻi ‘ōkuʻu (believed to be cholera) struck the islands in about 1804.  Some reports note about one-half the population (175,000) died, however, some feel that is quite likely that close to 5,000 Hawaiians died from it.  (Schmitt)  It affected Kamehameha and his planned invasion of Kauaʻi.

From 1818 to 1825, Don Francisco de Paula Marin recorded numerous occurrences of colds and flu among the Hawaiians, noting that people had died.  1826 saw an epidemic of coughs, congested lungs, sore throat, bronchitis and influenza.  (Van Dyke)

As visits by whalers, traders and others increased, other serious diseases started arriving from Europe, American and Asia.

The measles deaths of King Kamehameha II and Queen Kamāmalu in London in 1824, likely acquired visiting a large children's home, was a forerunner of the devastating impact of measles upon Hawaiians 24 years later.  (nih-gov)

Before 1848, measles was unknown in Hawaiʻi. Several epidemics struck Hawaiʻi in late-1848, beginning with measles and pertussis, then diarrhea and influenza. Measles arrived at this time from California, spreading from Hilo through all the islands; 10% to 33% of the population died.  (nih-gov)

No one knows for certain when, where or how the smallpox virus first appeared on earth; we do know that it has circumnavigated the planet multiple times over many centuries, invading every place of human habitation. By the eighteenth century, smallpox was killing an average of 400,000 people per year in Europe alone.  (ucpress)

Smallpox hit Hawaiʻi in 1853; the first case arrived in Honolulu, on the ship Charles Mallory.  When the epidemic ended late in January 1854, the estimated number of islands-wide cases was 6,400 – 9,100 and an estimated 2,500 – 5,750 deaths.

A sweeping influenza pandemic passed through Europe in late-1781 and 1782.  It was first noticed in Russia; then the disease moved from east to west.  Millions of people, perhaps three-fourths of the population of Europe, fell ill in the first eight months of 1782.  Deaths in Europe may have numbered in the hundreds of thousands.  (Hays)

Influenza struck again in Europe in 1847 and over the next two years spread into worldwide impact.  In Paris, between one-fourth and one-half of the population was affected; in Geneva, Switzerland not less than one-third.  (Peacock)

At that same time, a succession of deadly epidemics struck the Hawaiian Islands.  Measles, whooping cough, dysentery, and influenza raged across the kingdom. An estimated 10,000-persons died from these causes, more than one-tenth of the population. In total mortality, the combined 1848-1849 epidemic toll was one of the most devastating in Island history.  (Schmitt-Nordyke)

The bubonic plague ("Black Death") was first noticed in Hawaiʻi on December 9, 1899.  Its presence caused pause in the opening months of 1900 and was on everybody’s mind, with good reason; the same disease had decimated a third of the world's population during the fourteenth century.

The spread of plague on O‘ahu was traced to the railroad linking Honolulu with the plantation towns of Aiea, Waipahu and Waialua.  The Honolulu epidemic was not halted until March 31, 1900, during which time a total of 71 cases of plague were diagnosed, leading to 61 deaths.

The Black Death was one of the most devastating pandemics in human history, peaking in Europe in the mid-1300s, and killing between 75-million and 200-million people.  It was thought to have started in China or central Asia.  It then travelled along the Silk Road and was probably carried by Oriental rat fleas living on the black rats that were regular passengers on merchant ships.

Spreading throughout the Mediterranean and Europe, the Black Death is estimated to have killed 30 to 60 percent of Europe's population. All in all, the plague reduced the world population from an estimated 450-million to a number between 350 and 375-million in the 14th century.

The influenza pandemic of 1918-1919 killed more people than World War I, at somewhere between 20 and 40-million people. It has been cited as the most devastating epidemic in recorded world history. More people died of influenza in a single year than in four-years of the Black Death Bubonic Plague from 1347 to 1351. Known as "Spanish Flu" or "La Grippe" the influenza of 1918-1919 was a global disaster.  (stanford-edu)

The influenza pandemic circled the globe. Most of humanity felt the effects of this strain of the influenza virus. Outbreaks swept through North America, Europe, Asia, Africa, Brazil and the South Pacific. The average life span in the US was depressed by 10 years.  (stanford-edu)

The epidemics of infections diminished Hawaiʻi's population from approximately 300,000 at the time of Captain Cook's arrival in 1778 to 135,000 in 1820 and 53,900 in 1876.

Death by disease continues.  Today, according to the World Health Organization, across the world, every day 8,000-people die of AIDS-related conditions; about 1.7-million people die each year of tuberculosis; more than 500-million people suffer from acute malaria and each day close to 3,000-children die of this disease.  (Kohn)

Every year, the human death toll from infectious diseases around the world far exceeds that from hurricanes, cyclones, floods, earthquakes, landslides, tsunamis, volcanoes, droughts and other natural disasters. (Kohn)

Influenza, cholera, tuberculosis, dengue, HIV/AIDS, malaria and other epidemic diseases have not gone away.  The possible spread of disease epidemics has grown because of the ever-increasing human population, rapid international transportation and travel, disease resistance to medicines, insect resistance to pesticides and, occasionally, complacency.  (Kohn)

The image shows a map of the origins and paths of smallpox and other epidemics across the globe.    In addition, I have included other images in a folder of like name in the Photos section on my Facebook and Google+ pages.

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Look for the Mamo Hidden Under a Rock

Hawaiʻi's capitol - the "Square Building" on Beretania, although it's actually 360-feet x 270-feet - is full of symbolism.

In the words of Governor John A Burns, "The open sea, the open sky, the open doorway, open arms and open hearts - these are the symbols of our Hawaiian heritage  ... there are no doors at the grand entrances ... there is no roof or dome to separate its vast inner court from the heavens ... We welcome you! E Komo Mai! Come In! The house is yours!"

The perimeter pool represents the ocean surrounding the islands; the 40-concrete columns are shaped like coconut trees; the conical House and Senate chambers infer the volcanic origins of the Islands; and the open, airy central ground floor suggests the Islands' open society and acceptance of our natural and cultural environment.

In 1959, an advisory committee was formed.  They selected the Honolulu firm of Belt, Lemmon & Lo and the San Francisco firm of John Carl Warnecke & Associates to design the new state capitol.

Their design was approved by the Legislature in 1961; construction commenced in November 1965.  The building opened on March 16, 1969, replacing the former statehouse, ʻIolani Palace.

A notable capitol feature central on the ground floor is the tiled mosaic "Aquarius."  The tile work is based on a painting of the same name by Tadashi Sato; the mosaic is circular (36-feet in diameter.)

Sato, the eldest of six children of Japanese immigrants who came to work on Maui’s pineapple plantations, was born (1923) and raised on Maui and attended King Kamehameha III School and graduated from Lahainaluna.

He perfected his artistic skills over the next several decades, studying in Japan and New York and eventually became recognized as a member of the abstract expressionist movement and known for his abstract and semi-abstract paintings, mosaics and murals.

He is described as “an artist with a tranquil spirit, at peace with his place in the world, who eloquently used his brush to speak about what is most true and enduring in that world”. (Maui Council)

Tadashi Sato was an artist of international stature whose work has hung in places such as New York’s Museum of Modern Art, the Guggenheim and Whitney, and the Willard Gallery.  Aquarius is still arguably his most famous work of art.

A lot of Sato's work goes back to recollections of the reflection of sky, submerged rocks and sparkling colors in the tide pools and coastline where he fished near Nakalele Point in West Maui.  (Keiko Sato, his sister)

Standing on the upper floors of the capitol, looking down on the Aquarius mosaic, gives a view much like what Sato saw from the coastal cliffs of West Maui looking down on the shoreline and tidepools below.

In 1965, Sato was honored by President Lyndon Johnson at the White House Festival of Arts, alongside Georgia O'Keeffe, Jackson Pollock and other American artists.  In 1984, he was named a Living Treasure of Hawai'i by the Honpa Hongwanji Mission of Hawaiʻi.

Exposure to the elements in the open air of the capitol took its toll on the mosaic.  It has been replaced twice since its initial installation.

In 1988, the mosaic was replaced because it was subject to ponding water and it lacked accommodation for expansion and contraction. These factors lead to cracking, heaving and failure of the tiles and mortar bed.  (SFCA)

Again, in 2005, a new set of the approximate 600,000-tiles replaced the former and a new system of drains, expansion joints, mortar bed and thicker tiles increased the mosaic's durability and improved it significantly.  (SFCA)

Coincidental, but symbolic of the diversity of cultures in Hawaiʻi, in this most recent replacement/repair, a crew of six (Hawaiian, Filipino and Portuguese (from Hawaiʻi,) and German, Polish and Italian (from abroad)) set the new tiles in place.

Fifty-seven different colors of various shades of blue, green and white tiles make up the Aquarius mosaic.

However, it was at this time a new color was added; the Italian added a single red tile to the mosaic.

Several sources incorrectly suggest the tile is representative of the artist’s signature.  These folks also note you should search the mosaic for the single red tile.

However, as noted in the title of this piece, and continuing the symbolism at the capitol, folks at the State Foundation on Culture and the Arts feel Sato would prefer you look for the Mamo hidden under a rock.  (The Mamo is the Hawaiian Sergeant reef fish.)

Today is 'Adjournment Sine Die' - the last day of this session of the legislature; tomorrow it is safe to go back to the capitol.

Take the time to look at Tadashi Sato's design ... and see what you can find.  (Tadashi Sato died in 2005.)

The image shows “Aquarius” at Hawaiʻi's Capitol.  In addition, I have added other related images in a folder of like name in the Photos section on my Facebook and Google+ pages.

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May Day is Lei Day

May 1 is a special day in many cultures. The Celts and Saxons and others in pre-Christian Europe celebrated the first planting and the beauty of spring. These agrarian celebrations continued down through the centuries and remain today. In much of Europe, May 1 is also a labor holiday, honoring the labor workers.  (Akaka)

The first of May, however, has a unique and very special significance to the people of Hawaiʻi. May Day is Lei Day in Hawaiʻi.  (Akaka)

Lei making in Hawaiʻi begins with the arrival of the Polynesians. Polynesians, across the South Pacific, adorned their bodies with strings of flowers and vines.

When they arrived in Hawai`i, in addition to the useful plants they brought for food, medicine and building, they also brought plants with flowers used for decoration and adornment.

Lei throughout Polynesia were generally similar. Types included temporary fragrant lei such as maile and hala, as well as non-perishable lei like lei niho palaoa (whale or walrus bone), lei pupu (shell) and lei hulu manu (feather.)

“The leis of Old Hawaii were made of both semi-permanent materials – hair, bone, ivory, seeds, teeth, feathers, and shells; and the traditional flower and leaf leis -  twined vines, seaweed and leaf stems, woven and twisted leaves, strung and bound flowers of every description.”

“Leis were symbols of love, of a spiritual meaning or connection, of healing, and of respect.  There are many references to leis, or as the circle of a lei, being symbolic of the circle of a family, embracing, or love itself: “Like a living first-born child is love, A lei constantly desired and worn.”  (Na Mele Welo, Songs of Our Heritage, (translated by Mary Kawena Pukui,) Gecko Farms)

Robert Elwes, an artist who visited the Hawaiian islands in 1849, wrote that Hawaiian women "delight in flowers, and wear wreaths on their heads in the most beautiful way."

"A lei is a garland of flowers joined together in a manner which can be worn. There are many different styles of lei made of numerous types of flowers. The type of flower used determines the manner in which the lei is woven."  (Akaka)

Reportedly, Don Blanding, writing in his book 'Hula Moons,' explained the origins of Lei Day: “Along in the latter part of 1927 I had an idea; not that that gave me a headache, but it seemed such a good one that I had to tell some one about it, so I told the editors of the Honolulu Star-Bulletin, the paper on which I worked. They agreed that it was a good idea and that we ought to present it to the public, which we proceeded to do. It took hold at once and resulted in something decidedly beautiful.”

“… The custom of weaving and wearing flower leis originated with the Hawaiians so long ago that they have no record of its beginning. … When tourists discovered Hawaii, they loved the charming gesture and they spread the word of it until the lei became known around the world.”

“… Hawai`i observed all of the mainland holidays as well as those of a number of the immigrant nationalities in the Islands. But there was no day that was peculiarly and completely Hawaii's own; that is none that included all of the polyglot population there.”

“So, the bright idea that I presented was, "Why not have a Lei Day?" Let everyone wear a lei and give a lei. Let it be a day of general rejoicing over the fact that one lived in a Paradise. Let it be a day for remembering old friends, renewing neglected contacts, with the slogan "Aloha," allowing that flexible word to mean friendliness on that day.”

In 1929, Governor Farrington signed a Lei Day proclamation urging the citizens of Hawaiʻi to "observe the day and honor the traditions of Hawaii-nei by wearing and displaying lei."'  (Akaka)  Lei Day celebrations continue today, marking May 1st with lei-making competitions, concerts, and the giving and receiving of lei among friends and family.

Reportedly, the "tradition" of giving a kiss with a lei dates back to World War II, when a USO entertainer, seeking a kiss from a handsome officer, claimed it was a Hawaiian custom.

In 2001, Hawaiʻi Senator, Dan Akaka, during a May 1 address, said, “’May Day is Lei Day’ in Hawaiʻi. Lei Day is a nonpolitical and nonpartisan celebration. Indeed, its sole purpose is to engage in random acts of kindness and sharing, and to celebrate the Aloha spirit, that intangible, but palpable, essence which is best exemplified by the hospitality and inclusiveness exhibited by the Native Hawaiians -- Hawaii's indigenous peoples -- to all people of goodwill.”

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