“Love Always For Hawaiʻi”

When the Hawaiian Music Hall of Fame honored ‘Hawaiʻi Aloha’ as one of five traditional songs as a ‘Famous Song’ (1998,) they noted, “For more than 100 years, love of the land and its natural beauty has been the poetry Hawaiian composers have used to speak of love. Hawaiian songs also speak to people's passion for their homeland and their beliefs.”

The Hawaiian Music Hall of Fame further noted, Hawaiʻi Aloha is “widely regarded as Hawaiʻi’s second anthem”.  (Hawaiian Music Museum)

“It is performed at important government and social functions to bring people together in unity, and at the closing of Hawaiʻi Legislative sessions. Today, people automatically stand when this song is played extolling the virtues of ‘beloved Hawaiʻi.’”

Hawaiʻi Aloha was written by a Protestant missionary, Lorenzo Lyons.

“In 1998, The Advisory Board honored these traditional songs for their beauty and their messages, which have made them popular, with concert performers and recording artists, as well as the public.”

Hawaiʻi Aloha has three verses, but most typically sing the first verse and repeat portions of the chorus:

E Hawaiʻi e kuʻu one hānau e
Kuʻu home kulaiwi nei
ʻOli nō au i nā pono lani ou
E Hawaiʻi, aloha ē

Hui:
E hauʻoli nā ʻōpio o Hawai`i nei
ʻOli ē! ʻOli ē!
Mai nā aheahe makani e pā mai nei
Mau ke aloha, no Hawaiʻi

Reverend Lorenzo Lyons was fluent in the Hawaiian language and composed many poems and hymns; his best known and beloved work is the hymn “Hawaiʻi Aloha” sung to the tune of “I Left It All With Jesus.”  He wrote it in about 1852.

Here’s the English translation:

O Hawaiʻi, o sands of my birth
My native home
I rejoice in the blessings of heaven
O Hawaiʻi, aloha

Chorus:
Happy youth of Hawai`i
Rejoice! Rejoice!
Gentle breezes blow
Love always for Hawaiʻi

Click HERE for a link to Hawaiʻi Aloha – sung by Ledward Kaʻapana, Dennis Kamakahi & Nathan Aweau – written by a missionary.

Collaboration between native Hawaiians and the American Protestant missionaries resulted in, among other things, the introduction of Christianity, the creation of the Hawaiian written language, widespread literacy, the promulgation of the concept of constitutional government, making Western medicine available and the evolution of a new and distinctive musical tradition.

Oli and mele were already a part of the Hawaiian tradition. “As the Hawaiian songs were unwritten, and adapted to chanting rather than metrical music, a line was measured by the breath; their hopuna, answering to our line, was as many words as could be easily cantilated at one breath.” (Bingham)

Some songs were translations of Western songs into Hawaiian; some were original verse and melody.  Hawaiʻi Aloha is an example of the music left as a lasting legacy by the missionaries in the Islands.

Missionaries used songs as a part of the celebration, as well as learning process. “At this period, the same style of sermons, prayers, songs, interrogations, and exhortations, which proves effectual in promoting revivals of religion, conversion, or growth in grace among a plain people in the United States, was undoubtedly adapted to be useful at the Sandwich Islands. … some of the people who sat in darkness were beginning to turn their eyes to the light”. (Bingham)

“The king (Kamehameha III) being desirous to use his good voice in singing, we sang together at my house, not war songs, but sacred songs of praise to the God of peace.” (Bingham)

Hawaiʻi Aloha was not the only popular song written by the missionaries.

One of the unique verses (sung to an old melody) was Hoʻonani Hole ‐ Hoʻonani I Ka Makua Mau.  Missionary Hiram Bingham wrote/translated it to Hawaiian and people sang it to a melody that dates back to the 1600s – today, it is known as the Hawaiian Doxology.

“In 1872, (Lyons) published Buke Himeni Hawaiʻi containing over 600 hymns, two thirds his own composition. Some years later he prepared the Sabbath School Hymn and Tune Book Lei Aliʻi.””

“The Hawaiians owe entirely to his exertions their introduction to modern enlivening styles of popular sacred music.”  (Hawaiian Gazette, October 19, 1886)  The image shows the Hawaiʻi music and lyrics.

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Lorenzo Lyons (Makua Laiana – Father Lyons)

The family name was originally Lyon, to which his grandfather, David Lyon, arbitrarily added an ‘s.’ The Lyon or Lyons family traces its descent back to the time of the Norman Conquest and William the Conqueror.  The first of the family to immigrate to America was William Lyon, who went from London to Boston in 1635.

General Nathaniel Lyon, who lost his life in the Civil War, was of the same stock, as also was Mary Lyon, the founder of Mt. Holyoke Seminary.  A tradition in the Lyons family says that some of its members took part in the celebrated "Boston Tea Party," returning home with some of the tea in their shoes. (Williams College)

Lorenzo and Betsy Lyons arrived in the Hawaiian Islands as missionaries of the American Board of Commissioners for Foreign Missions (ABCFM,) arriving on the ‘Averick’ on May 17, 1832.  They were part of the large Fifth Company, including the Alexanders, Armstrongs, Emersons, Forbes, Hitchcocks, Lymans and others.

On July 16 1832, Missionary Lorenzo Lyons replaced Reverend Dwight Baldwin as minister at Waimea, South Kohala, Hawai‘i. Lyons’ “Church Field” was centered in Waimea, at what is now the historic church ‘Imiola.

In a May 8, 1835 letter to the ABCFM, Lyons notes:
“Mr. Baldwin in consequence of ill health is removed from Waimea, and never expects to return. Hence 15,000 souls are thrown upon me, a burden greater than I can bear. Waimea is the most central station. A man located there can do something - not much - for Kohala and Hāmākua.”

“It is my conviction and the conviction of many others that Waimea, including its outposts, is the most difficult and uninviting of all stations now occupied. No one who is acquainted with it wishes to be located there. Perhaps I am mistaken. But I shall sink unless I am speedily aided. “

“To be alone in this wide, desolate and lone region, 40 or 50 miles from any missionary brother, and no physician nearer than Oahu, is unpleasant. But to have the care of so many thousands weighing upon me is unsupportable. Pray for me”.

He stayed, stuck to it, succeeded and spent the rest of his life in Waimea.

Father Lyons was eminently popular with Hawaiians and with all men.  His nature was guileless, cordial, enthusiastic, cheering. He was remarkable for hospitality to Hawaiians always seeing that his visitors passing through Waimea had something to eat.  (Hawaiian Gazette, October 19, 1886)

His base was at ʻImiola Church in Waimea.  The first ʻImiola Church was a grass hut built and dedicated sometime before 1832 by King Kamehameha III.  Lyons wrote in his journal that at least one hundred little grass schoolhouses were scattered around the immediate Waimea area at that time.

His first wife, Betsy, died in 1837.  From that time on Lyons continued the tireless and devoted worker wholly thoughtless of self, joyous, enthusiastic, ardent and kindly to others.  His constant tours extended from near Laupāhoehoe to Waimanu in Hāmākua and to Kawaihae and Puako in Kohala South. He always went on foot, unsparing of his slight and wiry frame.  (Hawaiian Gazette, October 19, 1886)

On July 14, 1838, he married Lucia G. Smith of Truxton, New York.

By February of 1843, the first ʻImiola Church had been torn down and was replaced by a stone structure with thatched roof and windows.  Hundreds of Hawaiians helped in the collection of stones, often carrying them miles to the construction site.  However, it ran into disrepair.

On August 29, 1855, the cornerstone of a new church was laid. “Under the cornerstone (SW corner) was deposited a tin box wrapped in mamaki kapa – Hawaiian Bible, hymn books, newspapers, laws, etc.” (Lyons) By 1857, the church was completed and dedicated. The ceiling rafters, floor and exterior clapboard are made of koa.

As was the practice, the early missionaries learned the Hawaiian language and taught their lessons in Hawaiian, rather than English.  In part, the mission did not want to create a separate caste and portion of the community as English-speaking Hawaiians.  In later years, the instruction, ultimately, was in English.

Lyons was an avid supporter of the Hawaiian language.  He wrote a letter to the editor in The Friend newspaper (September 2, 1878) that, in part noted:
“An interminable language...it is one of the oldest living languages of the earth, as some conjecture, and may well be classed among the best...the thought to displace it, or to doom it to oblivion by substituting the English language, ought not for a moment to be indulged. … Long live the grand old, sonorous, poetical Hawaiian language.”

He was lovingly known to Hawaiians as Ka Makua Laiana, Haku Mele o ka Aina Mauna – Father Lyons, Lyric Poet of the Mountain County.

Lyons was fluent in the Hawaiian language and composed many poems and hymns; his best known and beloved work is the hymn "Hawaiʻi Aloha" sung to the tune of "I Left It All With Jesus" (circa 1852.)  The song was inducted into the Hawaiian Music Hall of Fame in 1998.

“Widely regarded as Hawaiʻi's second anthem, this hymn is sung in both churches and public gatherings. It is performed at important government and social functions to bring people together in unity, and at the closing of Hawaiʻi Legislative sessions. The first appearance of "Hawaiʻi Aloha" in a Protestant hymnal was in 1953, nearly 100 years after it was written. Today, people automatically stand when this song is played extolling the virtues of ‘beloved Hawaiʻi.’” (Hawaiian Music Museum).

Hawaiʻi Aloha - Israel Kamakawiwoʻole
http://www.youtube.com/watch?v=gmbueDbJh1o

“In 1872, he published Buke Himeni Hawaii containing over 600 hymns two thirds his own composition. Some years later he prepared the Sabbath School Hymn and Tune Book Lei Aliʻi … The Hawaiians owe entirely to his exertions their introduction to modern enlivening styles of popular sacred music.”  (Hawaiian Gazette, October 19, 1886)

After leaving the mission, he stayed in Waimea.

He was known in the town as the man who carried out many functions.  In October, 1854 Father Lyons became the first official Postmaster of Waimea, a post he held until he was very old. The Honolulu Directory of 1884 listed him as pastor of ʻImiola Church, postmaster, school agent and government physician.

His love for his native country was all that might be expected in such a deeply affectionate and idealistic nature. … But it was to another flag that Laiana affectionately and unreservedly dedicated his allegiance and his life.  (Doyle)

It was the desire of Laiana’s heart that when laid in his last resting place he be wrapped in his dearest flag, the flag of Hawaiʻi Nei. Kalākaua himself sent the flag and the frail little body was encased in its soft silken folds.  (Doyle)

Lorenzo Lyons died October 6, 1886.  He was buried some distance from the church on the grounds of his old homestead.  In April, 1939, his remains were moved to the grounds of ʻImiola Church, Waimea, South Kohala, Hawaiʻi.

The image shows Lorenzo Lyons, Makua Laiana.  In addition, I have included other images in a folder of like name in the Photos section on my Facebook and Google+ pages.

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Transformation of Waimea, South Kohala, Hawaiʻi

Over the centuries, and even today, Waimea was an attractive draw with ideal climate and soils, and moderate distance from the ocean.

Still holding remnants of a cowboy town, it looked very different in centuries past – with transformation of forest lands, to agricultural fields, to pasture lands.

Now upper pasture land, archaeologists and others suggest the upper slopes of Waimea was a forest made up of ʻōhiʻa, koa, māmane, ʻiliahi (sandalwood) and other trees.  Pili grass and shrubs were also found.

Within these forested uplands, you could find a variety of forest birds, ʻiʻiwi, ʻelepaio, ʻapapane and others.  Fossil remains of a flightless goose have been found in the region.

This is what the earliest settlers to the region probably saw (however, it is likely the first settlers on the island probably first lived in the valleys on the wetter windward side of the island and others later came to Waimea.)

The forests had general characteristics of an open canopy and the appearance of a wooded parkland, particularly when contrasted with the grassy plains to the west and the dense “impenetrable” rainforest to the east.  (McEldowney)

Statements typifying these characteristics, generally made while enroute from the Waimea settlements, through Parker’s ranch house at Mana, and along Mauna Kea’s eastern slope, include: “a scanty forest” (The Polynesian 1840); “those parts of the plain adjoining Hāmākua are better wooded having a parklike appearance” (Sandwich Islands Gazette 1836); “well shaded by clumps of trees” (The Polynesian 1847); and is “thickly wooded with large trees, entirely free from underbrush, and is covered with a greensward, giving it the appearance of a parkland” (The Polynesian 1848.)  (McEldowney)

Reverend Lorenzo Lyons (missionary leader of Waimea’s Imiola Church and songwriter who composed "Hawaiʻi Aloha") frequently described his home as ʻAla ʻŌhiʻa Nei (home of the fragrant ʻōhiʻa lehua.) (Paris)

The population began to increase dramatically around 1100 AD and the west side population doubled every century.  (Kirch)  The population of the islands reached a peak in about 1650 AD, with a total of several hundred thousand.

Waimea’s initial population (probably first settling in the 1100s – 1200s) likely grew into a fairly large community.  Settlement areas expanded into the hillsides and out onto the drier Waimea plains.

As permanent settlements were established and populations grew, to feed the people and increase the amount of arable land, the leeward slopes and valleys were cleared of the native forest and replaced by intensively cultivated field systems.  (Watson)

Field walls (kuaiwi) delineated garden plots (Kihāpai) and helped retain the soil.  Fields were irrigated using canals (ʻauwai) that tapped the Waimea streams.  (Watson)

Once the advantages of living in Waimea were known, the population quickly grew.  Terraced agricultural plots expanded and more of the forest was removed.

The upper slopes of Waimea are said to have supported more than 10,000-people prior to contact.

Post-contact brought further changes – two major modern land-use practices transformed the landscape – first, the harvesting of sandalwood, which was shortly-followed by the management of the cattle herds.

Various references establish the importance of sandalwood, the most famous of early historic export commodities, in the Waimea region, while remarks such as, these “woods frequented by sandalwood cutters” suggest exploitable sandalwood was in the region’s māmane/koa forests. (McEldowney)

William Ellis, in 1831 wrote, “Before daylight on the 22d, we were roused by vast multitudes of people passing through the district from Waimea with sandalwood, which had been cut in the adjacent mountains for Karaimoku (Kalanimōku,) by the people of Waimea, and which the people of Kohala, as far as the north point, had been ordered to bring down to his storehouse on the beach, for the purpose of its being shipped to Oahu.  There were between two and three thousand men, carrying each from one to six pieces of sandalwood, according to their size and weight.”

In 1856, while editor of the Sandwich Islands’ Monthly Magazine, Abraham Fornander wrote an article arguing that large cattle herds had altered or ameliorated the climate of Waimea by destroying a “thick wood” that covered “the whole of the plain” as early as 1825 or 1830 (Sandwich Islands’ Monthly Magazine 1856).  (McEldowney)

All of this forever changed Waimea.  Once the native forests were cleared, the “natural” landscape of Waimea ceased to exist.  (Watson)

Early Hawaiians first altered the landscape by clearing the forest and plotting out agricultural fields; later, introduced species took over.

A notable introduced (and invasive) plant to Waimea is fountain grass; it was introduced on the island of Hawaiʻi as an ornamental plant in the 1920s.  It spread quickly and today, less than a century later, fountain grass is a dominant species along roadsides and in undeveloped areas on the leeward side of the island.  (Watson)

Waimea, we used to call it home – I miss it.

The image shows a map of early vegetation in and around Waimea (McEldowney.)  In addition, I have included other images in a folder of like name in the Photos section on my Facebook and Google+ pages.

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