Nine Traditions That Emphasized Chiefly Rank

In 1920, Martha Beckwith became the first person to hold a chair in Folklore at any college or university in the country. The Folklore Foundation, established at Vassar, was an unprecedented institution and became a center of research in the almost entirely new field of folk culture.  (Vassar)

“Position in old Hawaiʻi, both social and political, depended in the first instance upon rank, and rank upon blood descent-hence the importance of genealogy as proof of high ancestry.”

“Grades of rank were distinguished and divine honors paid to those chiefs alone who could show such an accumulation of inherited sacredness as to class with the gods among men. Since a child inherited from both parents, he might claim higher rank than either one.”  (Beckwith)

There were nine traditions that emphasized chiefly rank:

1. a family genealogy tracing back to the gods through one of the two sons of Ki‘i, Ulu and Nanaʻulu, and by as many branches (lala) as family relationship could be stretched to cover
2. a name chant, composed at birth or given in afterlife, glorifying the family history not only of persons concerned but also of places made sacred by particular events or association
3. signs in the heavens by which ʻaumakua of the day recognized their offspring on earth
4. a special place set aside as sacred to the birth of high-ranking chiefs (i.e. Kūkaniloko)
5. the sacred cord (aha) stretched at the entrance of a chief's dwelling, under which all of lower rank must pass but which fell "of itself" before the approach of anyone of equal or higher position
6. wealth, especially in lands, labor and specialized objects such as foods, ornaments, colors belonging to ranking chiefs alone
7. the power of the kapu, which gave the ranking chief immense personal privilege, although the ruling chief might have actually more power over lands and wealth (before certain captive chiefesses of Maui of incredible sanctity, according to Kamakau, Kamehameha himself was of lower rank)
8. the right to officiate in the heiau as both chief and priest 
9. at death, the final deification of the bones and their laying away in a sacred and secret place difficult of access (one of the most important such place in ancient times being the ʻĪao valley on the island of Maui)

Rank depended primarily upon blood; but of great importance was the conduct of life by which one could, by carelessness in preserving the kapu and in making proper marriages, lose caste and prerogatives under the severe discipline of the Aha-ali‘i (Council of Chiefs,) or could, through a royal marriage, raise the rank of one’s descendants upon the family line.

The image, ‘Aha Ula’ by Brook Parker, represents the chiefly rank.  Information here is primarily from Beckwith, Mookini and Yardley.

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Hewahewa

“Kailua Harbor, April 5, 1820. In the dawn of the day, as we passed near shore, several chiefs were spending their idle hours in gambling, we were favored with an interview with Hewahewa, the late High Priest. He received us kindly and on his introduction to Brother Bingham he expressed much satisfaction in meeting with a brother priest from America, still pleasantly claiming that distinction for himself.”  (Loomis)

“He assures us that he will be our friend. Who could have expected that such would have been our first interview with the man whose influence we had been accustomed to dread more than any other in the islands; whom we had regarded and could now hardly help regarding as a deceiver of his fellow men. But he seemed much pleased in speaking of the destruction of the heiau and idols.”

“About five months ago the young king consulted him with respect to the expediency of breaking taboo and asked him to tell him frankly and plainly whether it would be good or bad, assuring him at the same time that he would be guided by his view. Hewahewa speedily replied, maikai it would be good, adding that he knew there is but one "Akoohah" (Akua) who is in heaven, and that their wooden gods could not save them nor do them any good.”    (Loomis)

“Hewahewa, the high priest, had ceased to believe in the power of the ancient deities, and his highest chiefs, especially the state queen Kaahumanu, resolved to abolish the oppressive "kapu" system.  The king, ʻIolani Liholiho, had been carefully trained in the traditions of his ancestors and it was not an easy matter to foresake the beliefs of his fathers.  He was slow to yield to the sentiments of the chiefs.”  (Honolulu Star-bulletin, February 1, 1915)

“The ancient system consisted in the many tabus, restrictions or prohibitions, by which the high chiefs contrived, to throw about their persons a kind of sacredness, and to instil into the minds of the people a superstitious awe and peculiar dread.”

“If the shadow of a common man fell on a chief, it was death; if he put on a kapa or a malo of a chief, it was death; if he went into the chief's yard, it was death; if he wore the chief's consecrated mat, it was death; if he went upon the house of the chief, it was death.”

“If a man stood on those occasions when he should prostrate himself, (such as) when the king's bathing water... (was) carried along, it was death. If a man walked in the shade of the house of a chief with his head besmeared with clay, or with a wreath around it, or with his head wet... it was death.”

“There were many other offenses of the people which were made capital by the chiefs, who magnified and exalted themselves over their subjects.”  (Dibble)

Shortly after the death of Kamehameha I in 1819, King Kamehameha II (Liholiho) declared an end to the kapu system.  In a dramatic and highly symbolic event, Kamehameha II ate and drank with women, thereby breaking the important eating kapu.

“When the ruling aliʻi of the realm renounced the old religion in 1819, with the collaboration of no less a person than Hewahewa, the high priest of the whole kingdom, the foundation upon which the validity of the kahuna had for so long rested crumbled and fell away.”  (Kanahele)

“By the time Liholiho made his fateful decision, many others, including the high priest Hewahewa, whose position in the religious hierarchy could be compared to that of a pope, evidently had concluded that the old gods were not competent to meet the challenges that were being hurled at them by the cannons, gadgets and ideas of the modern world.”  (Kanahele)

“(Hewahewa) publicly renounced idolatry and with his own hand set fire to the heiau. The king no more observed their superstitious taboos. Thus the heads of the civil and religious departments of the nation agreed in demolishing that forbidding and tottering taboo system”.  (Loomis)

“I knew the wooden images of deities, carved by our own hands, could not supply our wants, but worshiped them because it was a custom of our fathers. My thoughts has always been, there is only one great God, dwelling in the heavens.” Hewahewa also prophesied that a new God was coming and he went to Kawaihae to wait for the new God, at the very spot were the missionaries first landed.

This changed the course of the civilization and ended the kapu system, and effectively weakened the belief in the power of the gods and the inevitability of divine punishment for those who opposed them.

The end of the kapu system by Liholiho (Kamehameha II) happened before the arrival of the missionaries; it made way for the transformation to Christianity and westernization.

“The tradition of the ships with white wings may have been the progenitor of the Hawaiians' symbol for Lono during the Makahiki. … With so many ships with white sails coming to Hawaii at that time, how would he know which ship would bring the knowledge of the true God of Peace?”

“He could not have known that, although the missionaries set sail on October 23rd, one day before the Makahiki began, they would take six months to arrive. Therefore, it was quite prophetic that, when he saw the missionaries’ ship off in the distance, he announced ‘The new God is coming.’ One must wonder how Hewahewa knew that this was the ship.”  (Kikawa)

“Hewahewa knew the prophesy given by Kalaikuahulu a generation before. This prophesy said that a communication would be made from heaven (the residence of Ke Akua Maoli, the God of the Hawaiians) by the real God. This communication would be entirely different from anything they had known. The prophecy also said that the kapus of the country would be overthrown.”

“Hewahewa also knew the prophesy of the prophet Kapihe, who announced near the end of Kamehameha's conquests, ‘The islands will be united, the kapu of the gods will be brought low, and those of the earth (the common people) will be raised up.’ Kamehameha had already unified the islands, therefore, when the kapus were overthrown, Hewahewa knew a communication from God was imminent.”  (Kikawa)

After the overthrow of the kapu system, Hewahewa retired to Kawaihae, to wait confidently for the coming of a “new and greater God.”  (Kikawa)

“Hewahewa departed for Kailua Bay (formally Kaiakeakua—Seaside of God) ahead of the missionaries to await their arrival with the King. After Hewahewa's departure, the missionaries’ ship entered Kawaihae. Hewahewa’s household told the Hawaiians accompanying the missionaries the astounding news that the kapus had been overthrown! The missionaries ship was then directed to Kailua Bay were the King was in residence.”

At Kailua, Hewahewa gave an even more astounding prophecy, he pointed to a rock on the shore and said to the new king, ‘O king, here the true God will come.’ When the missionaries arrived at Kailua, they landed their skiff on that very rock! This rock is commonly known as the ‘Plymouth Rock of Hawaiʻi.

In 1820, Hewahewa, the highest religious expert of the kingdom, participated in the first discussions between missionaries and chiefs. He welcomed the new god as a hopeful solution to the current problems of Hawaiians and understood the Christian message largely in traditional terms. He envisioned a Hawaiian Christian community led by the land's own religious experts.  (Charlot)

“Hewahewa … expressed most unexpectedly his gratification on meeting us … On our being introduced to (Liholiho,) he, with a smile, gave us the customary ‘Aloha.’”

“As ambassadors of the King of Heaven … we made to him the offer of the Gospel of eternal life, and proposed to teach him and his people the written, life-giving Word of the God of Heaven. … and asked permission to settle in his country, for the purpose of teaching the nation Christianity, literature and the arts.”  (Bingham)

Hewahewa later retired to Oʻahu and became one of the first members of the church established there. This church is located in Haleiwa and is called the Liliʻuokalani Protestant Church.  (Kikawa)  “He lived in the valley of Waimea, a faithful, consistent follower of the new light.”  (The Friend, March 1, 1914)

The image shows Hewahewa and the destruction of the heiau.  (Artwork done by Brook Kapukuniahi Parker.)

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Līloa

Nowhere on the island of Hawaiʻi do the palms grow taller than in the valleys of Waipiʻo, and nowhere is the foliage greener, for every month in the year they are refreshed with rains, and almost hourly cooled in the shadows of passing clouds.  (Kalākaua)

Waipi‘o (“curved water”) is one of several coastal valleys on the north part of the Hāmākua side of the Island of Hawaiʻi. A black sand beach, three-quarters of a mile long, fronts the valley, the longest on the Big Island.

For two hundred years or more, Waipiʻo Valley was the Royal Center to many of the rulers on the Island of Hawaiʻi, including Pili lineage rulers - the ancestors of Kamehameha - and continued to play an important role as one of many royal residences until the era of Kamehameha.  (UH DURP)

Royal Centers were where the aliʻi resided; aliʻi often moved between several residences throughout the year. The Royal Centers were selected for their abundance of resources and recreation opportunities, with good surfing and canoe-landing sites being favored.

The Hawaiian court was mobile within the districts or kingdom the aliʻi controlled. A paramount's attendants might consist of as many as 700 to 1000-followers made of kahuna and political advisors (including geologists, architects, seers, messengers, executioner, etc.); servants which included craftsmen, guards, stewards; relatives and numerous hangers-on (friends, lovers, etc.).

Although thinly populated now, Waipiʻo was for many generations in the past a place of great political and social importance, and the tabus of its great temple were the most sacred in all Hawaiʻi. It was the residence of the kings of that island, and was the scene of royal pageants, priestly power and knightly adventure, as well as of many sanguinary battles.  (Kalākaua)

Waipiʻo valley was first occupied as a royal residence by Kahaimoelea, near the middle or close of the thirteenth century, and so continued until after the death of Līloa, about the end of the fifteenth century.  (Kalākaua)

Līloa, the son of Kiha and father of ʻUmi, had become the peaceful sovereign of Hawaiʻi; Kahakuma, the ancestor of some of the most distinguished families of the islands, held gentle and intelligent sway in Kauaʻi; Kawao still ruled in Maui, and Piliwale in Oʻahu.  (Kalākaua)

The reign of Kiha was long and peaceful. He was endowed not only with marked abilities as a ruler, but with unusual physical strength and skill in the use of arms. In addition to these natural advantages and accomplishments, which gave him the respect and fear of his subjects.  (Kalākaua)

The reign of his son Līloa was as peaceful as that of Kiha, his distinguished father (Līloa ruled about the same time that Columbus crossed the Atlantic.) He did not lack ability, either as a civil or military leader.

Līloa’s wife, Pinea, was the younger sister of his mother from a line of chiefs on O‘ahu. They had a son, Hākau. From another wife, Haua, a Maui chiefess, he had a daughter, Kapukini. Both of these marriages established ties between high-ranking families outside the Kingdom of Hawai‘i Island.  (MalamaWaipio)

Līloa was much given to touring through the districts of his kingdom, by which means he acquainted himself with the needs of his people and was able to repress the arbitrary encroachments of the chiefs on the rights of the land-holders under their authority. In this way he gained popularity with the common people.  (Malo)

The story of another of Līloa’s sons, ʻUmi, suggests that while Līloa was on a journey across Hāmākua he met a beautiful woman, Akahiakuleana (Akahi.) They spend the night together and conceive a child. Līloa told Akahi that if she has a son, to name him ʻUmi.

Līloa left his malo (loincloth), his niho-palaoa (whale-tooth necklace) and laʻau palau (club) to be given to the child as proof of ancestry.  ʻUmi later united with Līloa and ultimately ruled the Island of Hawaiʻi (he moved the Royal Center from Waipiʻo to Kailua (Kona.))

At Waipiʻo, Pakaʻalana was the name of Līloa’s heiau. It is not known by whom the Pakaʻalana heiau was built, but it existed before Kiha’s time and so did the sacred pavement leading to the enclosure where the chief’s Royal Center – called Haunokamaahala – stood, though its name has come down to our days as Paepae-a-Liloa.  (Fornander)

“It was a large enclosure, less extensive, however, than that at Honaunau….In the midst of the enclosure, under a wide-spreading pandanus, was a small house, called Ke Hale o Riroa (The House of Līloa), from the circumstance of its containing the bones of a king of that name…..”

“We tried, but could not gain admittance to the pahu tabu, or sacred enclosure. We also endeavored to obtain a sight of the bones of Riroa, but the man who had charge of the house told us we must offer a hog before we could be admitted”.  (Ellis 1826)

Līloa carried a long stone on his shoulder and placed it at the side door of his house. He called this stone “The Sacred Slab of Līloa,” (Ka paepae kapu o Līloa). No one, not even a chief was allowed to stand or walk on this stone. Only two people were allowed to step on “The Sacred Slab of Līloa:” Līloa, the ruler, and Chief Laea-nui-kau-manamana. (Williams)

“The expression ‘Ka Paepae Kapu a Liloa’ as at present used, whether in speaking or writing, refers to the reigning sovereign as to the sacredness of trust imposed upon and reposed to him, and as to the dignity and honour of the position where no intruders are supposed to trespass.  It also refers to the pavement and the way that leads up to royalty, and as to the footstool of sovereignty and power.”  (Bacchilega)

Although the glory of the old capital departed with its abandonment as the royal residence, the tabus of its great temple of Pakaʻalana continued to command supreme respect until as late as 1791, when the heiau was destroyed, with all its sacred symbols and royal associations, by the confederated forces of Maui and Kauai in their war with Kamehameha I.  (Kalakaua)

“There are many references to this famous place (Pakaʻalana) … the tabus of its (Waipi‘o) great heiau were the most sacred on Hawaiʻi, and remained so until the destruction of the heiau and the spoliation of all the royal associations in the valley of Waipi‘o by Kāʻeokūlani, king of Kauaʻi, and confederate of Kahekili, king of Maui, in the war upon Kamehameha I, in 1791 ...” (Stokes)

King Kalākaua moved the slab (Ka Paepae Kapu a Liloa) to Honolulu.  It sits silently and often unnoticed, outside the Archives Building on the grounds of ʻIolani Palace.  The stone holds the historical and cultural significance of a Royal Center in Waipiʻo associated with Līloa; he was “sacred in the eyes of his people for his many good qualities.”  (Bacchilega)

An ancient chant, later put to music, notes: Aia i Waipiʻo Pākaʻalana e; Paepae kapu ʻia o Līloa e (There at Waipiʻo is Pākaʻalana; And the sacred platform of Līloa.)

The March 10, 1899 issue of the Hawaiian Gazette noted that Līloa (1500s,) Lonoikamakahiki (late-1500s) and Alapaʻi (1700s) are among the reburied at Mauna ʻAla.

The image shows the Hawaiʻi Archives Building; to the right is Paepae Kapu O Līloa (interestingly situated in front of a plaque to Captain James Cook.) Nearby are Nā Kālai Pōhaku a ʻUmi.  In addition, I have added other images in a folder of like name in the Photos section on my Facebook and Google+ pages.

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Kaloko-Honokōhau National Historical Park (KAHO)

Kaloko-Honokōhau National Historical Park (KAHO) was established in the Kekaha region of North Kona (Kailua to Kalaoa) in 1978 in order to preserve and protect traditional native Hawaiian culture and cultural sites.

The park is the site of an ancient Hawaiian settlement and is considered a locale of considerable cultural and historical significance. Cultural resources include fishponds, petroglyphs and a heiau (temple.)

The physical location of Kaloko-Honokōhau made the settlement easy to manage. Situated on the lower portions of a sloping terrain, the settlement's activities were directed by kahuna chiefs, from a vantage point, such as the bluff overlooking the fishpond of ʻAimakapā, where a commanding view of Kaloko-Honokōhau was available.

“In ancient times, the chiefs would regularly live along the shore, that is, the chiefs of Kaloko and Honokōhau. At the place called Ahauhale, is where the chiefs of Kaloko lived. The place called Waihalulu, is where the chiefs of Honokōhau lived.”  (“Ka Wai o Kahinihini‘ula” (1923) Kumu Pono)

“There were men, women, and children, the houses were filled with large families. Truly there were many people (in Kekaha.) …  The lands of Honokōhau were filled with people in those days, there were many women and children with whom I traveled with joy in the days of my youth.  Kaloko was the same … Those families are all gone, and the land is quiet. There are no people, only the rocks remain, and a few scattered trees growing, and only occasionally does one meet with a man today”.  (“Na Hoonanea o ka Manawa” (1924) Kumu Pono)

The two dominant features in the Kaloko-Honokōhau National Park are Kaloko and ʻAimakapā Ponds.  (Prior to conversion and utilization as ponds, they were originally inland bays.)

The two ponds are different types of Hawaiian fishponds.  Kaloko is a loko kuapā (what we consider the typical coastal fishpond, artificially enclosed by an arc-shaped seawall (or in this case a seawall enclosing the mouth of a small bay) and containing at least one sluice gate (mākāhā.))

ʻAimakapā is a loko puʻuone (an shore fishpond containing either brackish or a mixture of brackish and fresh water, formed by development of a barrier beach paralleling the coast and connected to the ocean by a channel or ditch.)

Nearby (also in the Park) are the remnants of the ʻAiʻōpio fishtrap.  An opening in the trap to the sea enabled fish to enter, and the walled sections of the trap allowed fish to be stored until needed.

At high tide, fish entered the trap by swimming through the seaward opening or over the submerged walls.  At low tide, the fish were trapped in the enclosure and were easily netted.  Fishtraps differ from fishponds in that the fish are trapped and caught, but not raised.

The 1,160 acre park, a landscape of rugged lava rock, was at one time a thriving ancient Hawaiian settlement. More than 200 archeological sites document the Hawaiian’s use of the area over time.

The Hawaiians of this ancient settlement harvested fish from the sea and from fishponds they constructed. They grew coconuts, sweet potatoes and gourds and raised chickens and pigs.

Those living closest to the shore harvested fish and other food from the sea, while others living within the ahupuaʻa (sea to mountain land division) grew staple resources such as taro, breadfruit, paper mulberry, wood, and fiber for clothing. To ensure everyone’s survival, they would trade these items with one another.

Archeological resources at Kaloko-Honokōhau National Historical Park also include kahua (ancient house site platforms), heiau (temples,) a holua (toboggan slide), kiʻi pōhaku (petroglyphs), papamu (kokane game boards), stone enclosures, ahus (stone mounds that serve as altars, shrines, or security mounds), lava tube shelters and parts of the Māmalahoa Trail (Kings trail.)

Of all the Aliʻi associated with Kaloko-Honokōhau, the most famous is Kamehameha l, who settled and established his Royal Center at Kamakahonu in Kailua-Kona.  (Some believe Kamehameha was buried at Kaloko.  Kaloko is also believed to be the resting place of King Kahekili from Maui.)

Hale Ho'okipa Visitor Center, the Hawaii Pacific Parks Association store, and the adjoining parking area are open from 8:30 am to 4:00 PM daily.  (The Kaloko road gate is open from 8:00 am to 5:00 PM daily.)  Admission to the park is Free.

The image shows Kaloko Fishpond at Kaloko-Honokōhau National Historical Park (USGS.)  In addition, I have added other images in a folder of like name in the Photos section on my Facebook and Google+ pages.

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Kalalea Heiau

Ka Lae is the site of one of the earliest Hawaiian settlements, and it has one of the longest archaeological records on the islands (included in the complex is the earliest recorded occupation site (124 AD.)  (NPS)  Ka Lae (Lit., the point, commonly called South Point) on the Island of Hawaiʻi is the southernmost point in the fifty states.

Kaʻū is poetically known as “Kaʻū kua makani” (Kaʻū with windy back.) (Soehren)  An offshore stone at South Point is called Pokakuokeau (stone of the current) referring to the meeting of the different ocean currents that come together here.  (k12-hi-us)

Nā kai haele lua o Kalae, ʻO Kāwili lāua ʻo Halaʻea
The two sea currents of Kalae - Kāwili and Halaʻea

The Halaʻea current (named after a chief,) comes from the east to Kalae and sweeps out to sea. The Kāwili (Hit-and-twist) comes from the west and flows out alongside the Halaʻea. Woe betide anyone caught between.  (Keala Pono)

Here at the point is a heiau, Kalalea Heiau, located in the ahupuaʻa of Kamāʻoa.  In 1906, Stokes, in describing the heiau, said, “This heiau was … 43 by 35 ft., with platforms outside … adjoining its western wall ….”  The heiau complex has a small terraced platform paved with ʻiliʻili (small, smooth pebbles.) When Stokes visited the heiau, an informant told him that the heiau was Kamehameha’s and was very sacred.

Ten years later another informant told Stokes the following:
“(This is the) history of the heiau of Kalalea at Kalae, and of Kūʻula, Wahinehele and ʻAiʻai. Kūʻula (a male) married Wahine (a female) and they had a son ʻAiʻai. They left Kahiki and came to these islands, settling on Kauaʻi. ʻAiʻai left his parents on Kauaʻi and went on a sightseeing tour to the islands of Oʻahu, Molokaʻi, Maui and Hawaii.”

“When he reached Kalae, he looked around and saw that it was a fine country, and a nice place to live in and well supplied with fish. He returned to Kauai and brought his parents back with him, and they all lived at Kalae.  While his parents were living at Kalae, ʻAiʻai set out for Kahiki and brought back many people, -- kilokilo (seers,) kuhikuhipuuone (architects who made plans in the sand) and ai puʻupuʻu (stewards).”

“He also brought back many different kinds of food, such as breadfruit, bananas, awa, cocoanuts, sugar cane, sweet potatoes, kalo, papaya, hapuʻu and pala (both edible ferns) and other foods in great quantity.”

“And when ʻAiʻai saw that the food and the men were ready, he gave commands to all the Menehune and the erection of the heiau went on until the walls were completed. It was named Kalalea, which name still stands today.”  Today, people reference Kalalea as a fishing heiau. There were stones that represent the fishing gods Kūʻula and ʻAiʻai.

On the main platform is a stone called Kumaiea (female), but also attributed to Kāne, and on the smaller platform just mauka is another upright stone called kanemakua (male), associated with the god Kanaloa. Standing twelve feet to the north of the heiau are two more stones, the northerly one called ʻAiʻai, the son or Kūʻula.  Within the heiau, beside the mauka wall, is a rock called Kūʻula, the god of fishermen.  (k12-hi-us)

In 1953 Emory obtained the following information from Mary Kawena Pukui: “One must not wear red on the beaches at Kalae where Kalalea Heiau is located. Women never went inside the heiau. The kūʻula of this heiau is a shark. It is a heiau hoʻoulu (to increase) opelu (mackerel), malolo (flying fish), and ahi (tuna).”

Directly seaward of Kalalea Heiau is a rough ledge of lava, with low cliffs dropping into the ocean.  About eighty holes (like cleats) are carved into the lava to moor canoes (either for positioning over fishing grounds or to tie-up to shore.)  (Kirch)  While many have suggested the heiau is fishing related, it appears to also have links to navigation.

Immediately behind the heiau is a modern navigational beacon.  First proposed in 1883, a lens-lantern supported by a 34-foot wooden mast was ready for display on March 5, 1906.  Its light, visible for nine miles, was produced by incandescent oil vapor.

After several modifications and improvements, the present 32-foot concrete pole was built in 1972. The automated, battery powered light is charged by solar panels.

In at least the 1940s and early-1950s, the military had a landing facility, Morse Field, in this area.  There was limited infrastructure; the planes landed/took off on the grassy runway.

At a recent lecture at Mission Houses, I heard another series of stories related to Kalalea Heiau, told by John Laimana (a descendent of the area, whose family has direct association with the heiau;) while similar to much of the other explanations, he expands upon the navigational aspects of the heiau to Kahiki (Tahiti) and Rapanui (Easter Island.)

John says the heiau is actually the smaller of the structures there, makai of the larger, stonewalled rectangle (the larger he says is a fishers’ shelter.)  More importantly, he notes that the heiau structure aligns east and west – and one wall aligns with magnetic north.

Equally more important, he looks beyond the heiau structure and also looks at the larger surrounding perimeter wall structure.  Careful review of that shows the two walls are in precise, straight alignment.

OK, here’s another overlooked feature … extending the alignment of the walls, thousands of miles across the ocean lead you to Maupiti (in French Polynesia, near Tahiti) and Rapanui (Easter Island, Chile.)

In Hawaiian, Panana means compass, especially a mariner’s compass.  Panana are also referred to “sighting walls.”  The alignment of the walls (within the heiau and the perimeter walls,) may have been used for navigational purposes.

Oh, one more thing … Kaʻū is an ancient name with similar derivations in Samoa (Taʻū) and Mortlock (Marqueen) Islands (Takuu; an atoll at Papua New Guinea.)  (Pukui)  (This heiau may have links across the extent of the South Pacific.)

The image shows Kalalea Heiau (k12-hi-us.)  In addition, I have included other images in a folder of like name in the Photos section on my Facebook and Google+ pages.

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Kūʻīlioloa Heiau

The ancient name for the place was Neneʻu.  It was also known as Māʻalaea.  It’s at Waiʻanae, on the western coast of Oʻahu.

Pōka‘ī Bay ("night of the supreme one,") named for Chief Pōka‘ī who arrived in Hawai‘i 400 to 500 years ago, has been the center of activity for the Waiʻanae Coast since pre-contact days.

Pōka’ī was reputed to have been a voyaging chief of Kahiki (Tahiti) who is credited with bringing the versatile and valuable coconut palm to the Islands.

A great grove of coconuts, Ka Uluniu o Pōkaʻī, lined the back shore of the entire bay and provided shelter and a vast array of materials for the village.

“In very ancient times, when the great Hawaiian chiefs and navigators sailed across the vast Pacific between Hawaiʻi and Kahiki, a legend arose about a voyaging chief named Pōkaʻī. It said that he brought and planted at Waiʻanae the first coconut tree in Hawai`i, from which grew in time a famous grove, Ka Ulu Niu o Pōkaʻī. The grove stretched from the site of the present police station to that of the Sacred Hearts Church...the bay makai of the grove, formerly known as Māʻalaea, eventually took the name of the legendary planter”.  (Shefcheck, Spear)

Prior to contact with the western world the bay was the site of a famous fishing village with double-hulled canoes going in and out of the bay.

The south end of Pōkaʻī Bay is formed by Kaneʻilio Point (Kane’s dog’”,) a pointed peninsula that juts out into the sea. On this finger of land are remains of Kūʻīlioloa Heiau ("The long dog form of Kū".)

Kūʻīlioloa was a kupua, a demigod, who could assume the form of a man or dog. He was a protector of the navigators.  The names and symbolism related to the heiau incorporate the Hawaiian’s four primary gods: Kū, Kāne, Lono and Kanaloa.

The heiau name, Kūʻīlioloa, incorporates the god Kū; the name of the point, Kaneʻilio, incorporates the god Kāne; one of the major functions of this heiau is for navigation which incorporates the realm of Lono through the clouds and the heavens; and Kūʻīlioloa is also the only heiau in Hawaiʻi that is bordered on three sides by the ocean, which is the domain of Kanaloa.

Kūʻīlioloa is said to have been constructed by Lonokaeho who came to Hawai'i from Raiatea in the Society Islands in the 11th or 12th century.

One of the primary functions of the Heiau was as a training center and lighthouse for all navigation between Hawaiʻi and Tahiti. The location of this site allows specialists in astronomy to study the stars and celestial features.

In 1793, Vancouver described the area as desolate and barren, “From the commencement of the high land to the westward of Opooroah [Puʻuloa] was. . .one barren rocky waste, nearly destitute of verdure, cultivation or inhabitants, with little variation all to the west point of the island…. Nearly in the middle of this side of the Island is the only village we had seen westward of Opooroah… The shore here forms a small sandy bay. On its southern side, between the two high rocky precipices, in a grove of cocoanut and other trees, is situated the village. ... The face of the country did not, however, promise an abundant supply.”   (Shefcheck, Spear)

After 1819, when the kapu system was overthrown, Kūʻīlioloa was one of the few heiau which was still used by the community.

Prior to WWII the US government decided to utilize Kaneʻilio point by building a concrete bunker on the site of Kūʻīlioloa.  Later, in the late-1970s, the Waiʻanae community rebuilt the heiau.

The Royal Order of Kamehameha, Moku O Kapuāiwa Chapter has a goal to turn the Heiau back into a training facility for kids and adults to learn about Hawaiian culture while being trained in ocean navigation.

The image shows Kaneʻilio Point with Kūʻīlioloa Heiau (GoogleEarth.)  In addition, I have added other related images in a folder of like name in the Photos section on my Facebook and Google+ pages.

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Keolewa Heiau

Keolewa Heiau is situated along the Hā‘upu ridge line on the peak of Hāʻupu on Kauaʻi.

According to chants, Keolewa can only be seen as a bird in the sky (above the clouds).   “Me he manu la Keolewa i ka laʻi,” “Like a bird is Keolewa in the calm.”

Hā‘upu in the Hawaiian language means a sudden recollection; the mountain is known for its ability to jolt a memory, or alternatively, open a view to the future.

The phrase Hā‘upu mauna kilohana i ka la‘i (Hā‘upu, a mountain outstanding in the calm) honors the mountain itself, and is also a description for someone who achieves outstanding things.

The small heiau atop Mt. Hā‘upu is dedicated to Laka, the goddess of the forest and patron of hula, whose kinolau (embodied form) lives in the wild and sacred plants of the upland forest that are used by hula practitioners.

Both the heiau and the wooded area at Hā‘upu’s summit are known by the place name Keolewa, which appears in a variety of prayers, chants and oral traditions.

Beckwith calls her "the goddess of love." The name laka means "gentle, docile, attracted to, fond of," and there are old chants asking Laka to attract not only love, but wealth.

Of very different origin, she was nevertheless incorporated into the Pele religion. Due to her associations with the forest she represents the element of plants.

“Laka is the child of Kapo (Pele’s sister,) ‘not in the ordinary sense but rather as a breath or emanation.”’ The two as ‘one in spirit though their names are two.’”

“Laka and Kapo therefore must be thought of as different forms of the reproductive energy, possible Kapo in its passive, Laka in its active form, and their mother Haumea as the great source of female fertility.”  (Beckwith)

Hā‘upu Ridge is also revered as a dividing line between and meeting place where the powerful fire-goddess Pele made passionate love with the demi-god Kamapua‘a.

The Kōloa region south of the ridge was controlled by Pele; its dry and rocky landscape reflects her harsh, impatient and dominant personality.

The lusher Līhu‘e side of the ridge was home to the pig god Kamapua‘a, who is associated with “taro, fertility and the creation of fertile springs necessary to sustain life,” and who is known to excel as a lover.

According to tradition, “Pele and Kamapua‘a are believed to have been involved in a tumultuous love affair with each other in the vicinity of Hā‘upu and the topography of the area is believed to have been shaped by the fury of their love-making.”

“Hā‘upu Ridge is the dividing line between the two areas controlled by Pele and Kamapua‘a and Hawaiian religious practitioners believe these gods continue to dwell there.”

“In times of drought, the fertile and lush domain of Kamapua‘a is said to be inhabited by Pele, whereas in times of heavy rains the dry and arid domain of Pele is said to be inhabited by Kamapua‘a.   It is at these times that their love affairs are believed to continue.” (NPS - OHA)

The image shows the summit of the Hā‘upu Mountains, site of Keolewa Heiau.

© 2013 Hoʻokuleana LLC

Piʻilanihale Heiau

This is Hawaiʻi’s (and maybe Polynesia’s) largest, heiau that is still intact (it is situated near Hāna, Maui.)

Standing over 40-feet high, the stone platform is 289-feet by 565.5-feet; Piʻilanihale Heiau is a stepped lava rock platform the size of nearly two football fields.

Interior construction consists of eight lesser walls, three enclosures, five platforms, two upright stones and 22 pits.

The north wall is the longest wall and measures 565.5-feet.  It is also the highest wall, measuring about 43-feet at its maximum point.

This wall contains the most unusual feature of the Heiau, the immense retaining wall that fills a gully between the two ridges comprising the Heiau foundation.

According to Cordy, this wall is unique in Hawaii: “it is built of superbly fitted stones ..... and has four [terraced] steps up its face.”

Piʻilanihale Heiau (also identified as Hale-o-Piʻilani Heiau) is one of the most important archeological sites in the Hawaiian Islands and is impressive in size and architectural quality.

Archaeologists believe the heiau (temple) was constructed in four stages, beginning as early as the 12th century.

The earliest shrines and rituals appear to have been simple ones constructed by families and small communities and dedicated to the gods of peace, health, fertility and a good harvest of the products of the land and the sea.

With increased population growth and social organizational complexity, religion, the legitimizing sanction of directed social and political change, evolved becoming integrated with government at the state level as well as at the local and personal level. Large and complex temples were constructed for public ceremonies dedicating major events.

Sometimes the ceremonies lasted for days. Between these major events, the temple might be left untended which accounts for the seeming neglect of some of these structures recorded by early voyagers to the Islands.

According to Kamakau, state temples were constructed on the sites formerly built on by the people of old. Studies have verified that these temples were constructed in a series of stages.

Archeologically Piʻilanihale Heiau’s occupation and use span both the prehistoric and historic periods.

Each rebuilding episode may commemorate a significant event in the reign of a particular chief or king. The stylistic changes embodied in these structures, therefore, not only document evolutionary changes in social organization and the evolution of religion, but may be stylistically identifiable with prominent lineages or personages.

In addition to serving as a heiau, some archaeologists believe this structure may also be the residential compound of a high chief, perhaps that of King Piʻilani.

The royal compound probably would have included the king's personal temple.

The literal translation of Piʻilanihale is "house (hale) [of] Piʻilani."

It is not known if the first king of the Piʻilani line built the structure or whether it was constructed by one of his several well-known descendants: his sons Lono-a-Piilani and Kihapiilani, and his grandson Kamalalawalu.

According to oral tradition, in the 16th century, Piʻilani unified the entire island of Maui, bringing together under one rule the formerly-competing eastern (Hāna) and western (Wailuku) multi-district kingdoms of the Island.

Hāna served as one of the royal centers of the kingdom.

Several generations later, through inter-island conquest, the marriage of his brother to the Queen of Kauaʻi, and appointment of his son to alternately govern Maui, Lānaʻi, Kahoʻolawe and Oʻahu during his periodic absences, Kahekili by 1783 dominated all the Hawaiian Islands except for Hawaiʻi.

Hāna continued to be a center of royal power until 1794, when Kamehameha I, ruler of the Kingdom of Hawai‘i, defeated the Maui army and Maui came under him.

In 1848, the Hawaiian Monarchy was created and private land ownership was established. As a direct result of this new land ownership system, one-half of the ahupua‘a of Honomā‘ele, roughly 990 acres, was granted to Chief Kahanu by Kauikeaouli (King Kamehameha III).

In 1974, members of the Kahanu/Uaiwa/Matsuda/Kumaewa Family (descendants of Chief Kahanu) and Hāna Ranch deeded 61 acres of land to the then Pacific Tropical Botanical Garden to establish Kahanu Garden.

In exchange, the institution promised to restore Pi‘ilanihale, share it with the public, and provide perpetual care for this sacred site as well as the family graves that are on this ‘āina (land).

The restored Piʻilanihale Heiau is within the grounds of the National Tropical Botanical Garden’s Kahanu Garden.  I have added other related images in a folder of like name in the Photos section on my Facebook and Google+ pages.

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Hale O Papa - Heiau No Na Wahine (Women’s Heiau)

 

In Hawaiian culture, the natural and cultural resources are one and the same.  Native traditions describe the birth of the islands and the life that exists on them in terms of genealogical accounts.

All natural forms of the environment are believed to be embodiments of gods and deities.  From godly forces the Hawaiian Islands are born of Wākea (the expanse of the sky‐father) and Papahānaumoku (Papa who gave birth to the islands).

Wākea and Papa are credited for being the parents of the first man, Hāloa, the ancestor of all people.  Commoners and ali‘i were all descended from the same ancestors, Wākea (sky father) and Papa (earth mother.) 

It is from this genealogical thread that Hawaiians address their environment and it forms the basis of the Hawaiian system of land use.

Hawaiians had many forms of worship and places where they practiced; invoking peace, war, health or successful fishing and farming, etc.  Formalized worship, offerings and/or sacrifice by chiefs took place in heiau (temples.)

There are many types and forms of heiau, which served as temples and ceremonial sites.  Some were used for state worship -where only the paramount ruler of the island and priests were allowed to enter; others had specialized purposes.

One such specialized heiau was the Hale O Papa (House of Papa) – which were designated specifically to women; kapu (forbidden) to men.

The Hale O Papa were associated with the great Kū heiau (luakini), which demanded human sacrifice and were usually in areas of greater population.  Without a luakini, there would be no Hale O Papa, according to Samuel Kamakau.

Luakini heiau served as the “seat of government” for the ruling Chiefs.  The luakini heiau was the core of the “Royal Center,” which included the kauhale (group of houses) of the Chief and supporters and was surrounded by a large and densely-populated population.

The luakini heiau in Hālawa valley in the district of Ewa is most likely where Kumuhonua established his Royal Center, while Moikeha established his domain from the mouth of the Wailua river on Kaua‘i and Olopana did the same in Waipi‘o Valley on the island of Hawai‘i; while maintaining their political positions at the political marae of Taputapuatea, on the island of Raiatea. (Yardley)

Malo describes the ceremonies and rites in dedicating the luakini heiau:

“(A)ll the female chiefs, relations of the king, came to the temple bringing a malo of great length as their present to the idol.  All the people assembled at the house of Papa to receive the women of the court.  One end of the malo was borne into the heiau (being held by the priests), while the women chiefs kept hold of the other end; the priest meantime reciting the service of the malo, which is termed kaioloa.”  (Malo)

“All the people being seated in rows, the kahuna who was to conduct the service (nana e papa ka pule) stood forth; and when he uttered the solemn word elieli (completed), the people responded with noa.  The kahuna said, “Ia e!  O Ia!” and the people responded with noa honua (freedom to the ground).  The consecration of the temple was now accomplished, and the tabu was removed from it, it was noa loa.”  (Malo)

“With such rites and ceremonies as these was a luakini built and dedicated.  The ceremonies and service of the luakini were very rigorous and strict.  There was a proverb which said the work of the luakini is like hauling ohia timber, of all labor the most arduous.”  (Malo)

Hale O Papa have been identified at Kaho‘olawe, Pu‘uhonua o Hōnaunau (Hawai‘i Island,) Hālawa Valley (O‘ahu,) Waimea Valley (O‘ahu,) Moku‘ula (Maui) and Honua‘ula (Maui.)

“The archaeological findings suggest that these activities included cooking, construction of structures supported by posts, and manufacture and use of stone tools.  Distinct sleeping and storage areas, as well as a possible family shrine, are also present.  Occupation of this site began as early as the fourteenth century.”

Kamakau notes that such heiau belonged to the high chiefesses (pi‘o and ni‘aupi‘o) and “were for the good of the women and the children borne for the benefit of the land.  …  Only the sacred chiefesses, whose tabu equalled that of a god, went into the Hale - o - Papa and ate of the dedicated foods of the heiau.”

The nearby luakini, could be built only by an ali‘i nui, or paramount chief.  Luakini were built in times of war and other crises and allowed for human sacrifice to plead for the blessing of the gods.

Hale O Papa, or Heiau No Na Wahine, was used by royal women who were not permitted to worship the gods of the men, or to touch or eat foods which were acceptable offerings to the male gods.

There are different interpretations regarding how this feature was used, but generally described as a women’s heiau for worship, menstruation, pregnancy or as a place of seclusion for chiefly women.

This way of life began disappearing with Cook's arrival in 1778 and was eliminated when Liholiho abolished the kapu system in 1819.

The image shows Kiʻi Pōhaku O Hale O Papa Halawa (Yardley.)  In addition, I have included other images of Hale O Papa in a folder of like name in the Photos section on my Facebook page.

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© 2012 Hoʻokuleana LLC

Ulupō Heiau

About 6,000 years ago and before the arrival of the Hawaiians, Kawainui (the large [flow of] fresh water) and Ka‘elepulu (the moist blackness) were bays connected to the ocean and extended a mile inland of the present coastline.  This saltwater environment is indicated by inland deposits of sand and coral.

A sand bar began forming across Kawainui Bay around 2,500 years ago creating Kawainui Lagoon filled with coral, fish and shellfish.  The Hawaiians probably first settled along the fringes of this lagoon.

Gradually, erosion of the hillsides surrounding Kawainui began to fill in the lagoon with sediments.

About 500 years ago, early Hawaiians maintained the freshwater fishpond in Kawainui; the fishpond was surrounded on all sides by a system of canals (‘auwai) bringing water from Maunawili Stream and springs to walled taro lo‘i.

In 1750, Kailua was the political seat of power for the district of Ko‘olaupoko and a favored place of the O‘ahu chiefs for its abundance of fish and good canoe landings.

The houses of the Aliʻi (chiefs), their families, and their attendants surrounded Kailua Bay. Behind the sand beach was the large, fertile expanse of Kawainui which has been converted to a fishpond surrounded by an agricultural field system.

Kawainui was a large, 400 acre fishpond with an abundance of mullet, awa, and o'opu. Ka'elepulu and Nuʻupia fishponds are nearby. The makaʻāinana (commoners) provided support for this chiefly residence.

Farmers grow kalo (taro) in the irrigated lo'i (fields) along the streams from Maunawili and along the edges of the fishponds. Crops of dryland kalo, banana, sweet potato, and sugarcane mark the fringes of the marsh. The fishermen harvest fish from the fishponds and the sea.

The kahuna (priests) oversee the religious ceremonies and rites at several heiau around Kawainui. There is Ulupō Heiau on the east with Pahukini Heiau and Holomakani Heiau on the west side.

Ulupō Heiau measures 140 by 180 feet with walls up to 30 feet in height. The construction of this massive terraced platform required a large work force under the direction of a powerful ali'i.

Several O'ahu chiefs lived at Kailua and probably participated in ceremonies at Ulupō Heiau, including Kākuhihewa and Kualiʻi.

Kualiʻi fought many battles and he may have rededicated Ulupō Heiau as a heiau luakini.

Maui chief Kahekili came to O'ahu in the 1780s and lived in Kailua after defeating O'ahu high chief Kahahana for control of the island.

Kamehameha I worked at Kawainui fishpond and is said to have eaten the edible mud (lepo ai ia) of Kawainui when there was a shortage of kalo. But by 1795, when Kamehameha I conquered O'ahu, it is believed that Ulupō Heiau was already abandoned.

Farmers grew kalo (taro) in the irrigated lo‘i (fields) along the streams from Maunawili and along the edges of the fishponds.  Crops of dryland kalo, banana, sweet potato and sugarcane mark the fringes of the marsh. Fishermen harvest fish from the fishponds and the sea.

In the 1880s, Chinese farmers converted the taro fields of Kawainui to rice, but abandoned their farms by 1920. Cattle grazed throughout much of Kawainui.

Ulupō Heiau was transferred from the Territorial Board of Agriculture and Forestry to Territorial Parks in 1954.

In the early 1960s, through a joint effort of State Parks and Kaneohe Ranch, the stone walkway was placed atop the heiau and the stone paving was laid around the springs. The bronze plaque was installed in 1962 by the Commission on Historical Sites.

Ulupo Heiau is listed on the National and Hawaii Registers of Historic Places. At Ulupo Heiau, State Parks seeks to promote preservation of the heiau and heighten public awareness about the cultural history of Kawai Nui.

The Kailua Hawaiian Civic Club and ‘Ahahui Malama I ka Lōkahi are the co-curators at this State Park heiau complex.

The image shows Ulupō Heiau and overlooks Kawainui Marsh.  In addition, I have included a few more images of Ulupō Heiau in a folder of like name in the Photos section on my Facebook page.

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© 2012 Hoʻokuleana LLC

Hiki‘au Heiau – Kealakekua Bay, Island of Hawai‘i

After sailing around the island and exploring its northern and eastern sides, Captain Cook landed at Kealakekua Bay early in 1779.

When Cook arrived at Kealakekua, “they called Captain Cook Lono (after the god Lono who had gone away promising to return).” (Kamakau)

When Cook went ashore, he was taken to Hiki‘au Heiau and was seated above the altar and covered with a cloak of red tapa like that about the images.

Both chiefs and commoners said to each other, “This is indeed Lono, and this is his heiau come across the Sea from Moa-ʻula-nui-akea (land in Raʻiatea in the Society Islands) across Mano-wai-nui-kai-oʻo!” (Kamakau)

There are a number of reasons why the people may have thought Cook was the god Lono:

• He arrived during the Makahiki festival, a time when the god Lono symbolically returned from his travels
• Like Lono, Cook had come to the Hawaiian people from the sea
• The shapes of the English ships were reminiscent of the kapa cloth and upright standards used in the Makahiki parades
• Cook's ships had sailed around Hawai'i clockwise, the same direction followed by Lono's processions
• Kealakekua, where Cook's ships anchored, was the site of the important Hiki‘au Heiau dedicated to Lono

When Kalani‘ōpu‘u (Ali‘i ʻAimoku (High Chief or King) of the Island of Hawai‘i) met with Cook, he treated him with hospitality, giving him hogs, taro, potatoes, bananas and other provisions.

In addition, he gave feather capes, helmets, kahili, feather lei, wooden bowls, tapa cloths and finely woven mats.  Cook gave Kalani’ōpu’u gifts in return.

When Captain Vancouver visited the islands in the 1790s, he provided the following description of Hiki‘au:
“Adjoining one side of the Square was the great Morai (heiau,) where there stood a kind of steeple (‘anu‘u) that ran up to the height of 60 or 70 feet, it was in square form, narrowing gradually towards the top where it was square and flat; it is built of very slight twigs & laths, placed horizontally and closely, and each lath hung with narrow pieces of white Cloth.”

“… next to this was a House occupied by the Priests, where they performed their religious ceremonies and the whole was enclosed by a high railing on which in many parts were stuck skulls of those people, who had fallen victims to the Wrath of their Deity.. . . In the center of the Morai stood a preposterous figure carved out of wood larger than life representing the . . . supreme deity. . . .”

John Papa I‘i wrote that in ca. 1812-1813, shortly after Kamehameha’s return to Hawai‘i, the king celebrated the Makahiki and in the course of doing so he rededicated Hiki‘au, “the most important heiau in the district of Kona”.

In 1819, Louis de Freycinet also visited Hiki‘au Heiau and stated:
“The one [temple] of Riorio (Liholiho) in Kayakakoua (Kealakekua) was surrounded by a simple square palisade in the center of which were twelve hideous idols of gigantic proportions. ... Next to them rose the light wooden obelisk-like structure that we mentioned earlier and then a small terrace surrounding a wooden platform, which was supported by two stakes driven into the ground. This platform is where they sacrifice men and animals to these terrible deities.”

“... A rather large number of rocks, piled here and there without any seeming order, covered the ground. ... In the center, as well as to the extreme right of the enclosure, stood wooden huts covered with palm leaves. One of these was reserved for the king during certain ceremonies and others for the priests.”

As a side note, you recall that Henry ʻŌpūkahaʻia left Hawai‘i in 1809 and sailed to the continent where he eventually inspired the first missionaries to volunteer to carry the message of Christianity to the islands.

ʻŌpūkahaʻia had wanted to join them in spreading the word of Christianity back home in Hawaiʻi, but died in 1818 of typhus fever before the first company of missionaries sailed to Hawaiʻi in 1819, landing at Kailua-Kona on April 4, 1820.

It is interesting to note that ʻŌpūkahaʻia (prior to leaving the islands) had been under the direction of his uncle, a kahuna (priest) at the Hiki‘au Heiau.  It had been the hope of his uncle that Opukahaʻia would take his place as the kahuna at Hiki‘au Heiau.

The image is on Hiki‘au Heiau drawn by William Ellis (1779,) part of the crew in the Cook’s expedition.  In addition, I have added other images of Hiki‘au Heiau and surrounding area in a folder of like name in the Photos section on my Facebook page.

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© 2012 Hoʻokuleana LLC

Pā‘ao – Priest, Chief and Navigator

The influence on the culture of Hawai‘i attributed to the high priest Pā‘ao is so great that it seems appropriate to take a closer look.

Since ancient Hawai‘i did not have written records and had only a spoken language, exact historical accounts are uncertain.

Fornander writes that prior to the period of Pā‘ao "… the kapus (forbidden actions) were few and the ceremonials easy; that human sacrifices were not practiced, and cannibalism unknown; and that government was more of a patriarchal than of a regal nature."

Pā‘ao is said to have been a priest, as well as a chief and navigator, who arrived in the island of Hawai‘i as early as in the twelfth or thirteenth century (many say he was from Tahiti.)

Pā‘ao is reported to have introduced (or, at least expanded upon) a religious and political code in old Hawai`i, collectively called the kapu system.  This forbid many things and demanded many more, with many infractions being punishable by death.

Pā‘ao’s period saw a greater rigidity of the kapus, the introduction of human sacrifices, "the hardening and confirming of the divisions of society, the exaltation of the nobles and the increase of their prerogatives, the separation and immunity of the priestly order, and the systematic setting down, if not actual debasement, of the commoners".

Many believe the expansion and rigidity of the kapu were established as a result of the migrations from Tahiti and elsewhere, (and with the arrival of Pā‘ao,) bringing to Hawai‘i a system of laws and rituals protecting the mana (spiritual power or energy) which existed in all living things.

In establishing this strict religious system, Pā‘ao also introduced the custom of kapuō (prostration before kapu chiefs,) the pūloʻuloʻu (sign of kapu) and the walled heiau (previously, heiau had been open courtyards.)

He introduced several changes to Hawaiian religious practices and social structure that affected temple construction, priestly ritual and worship practices.

The large sacrificial government war temples, luakini heiau, contained altars where human lives were taken when assurance of success in combat was requested or when there was a very grave state emergency, such as pestilence or famine.

Prior to the Pā‘ao’s arrival, the Hawaiians worshipped unseen deities.  Reportedly, Pāʻao provided the people with something tangible to worship, through the introduction of wooden temple images as representations of the gods.

These images were not worshipped as gods themselves, but it was thought that the mana or spirit of a god would occupy the carved statue and could be consulted in times of need.

Many things were kapu under Hawaiian culture.

Anything connected with the gods and their worship was considered sacred, such as idols, heiau and priests.  Because chiefs were believed to be descendants of the gods, many kapu related to chiefs and their personal possessions, such as clothes, mats and houses.

Certain objects were also kapu, and to be avoided, either because they were sacred or because they were defiling.  Seasons and places could also be declared kapu.

Certain religious kapu were permanent and unchangeable, relating to customary rites, observances, ceremonies and methods of worship, and to the maintenance of the gods and their priests.

Likewise, Pā‘ao reportedly initiated a lineage of kings, starting with Pili Ka‘aiea (the 1st "Aliʻi ʻAimoku" for the Big Island – the first ruler (sometimes called the "king") of the island.)

The descendants of this king ruled the island of Hawai‘i until 1893, while Pā‘ao himself became the high priest of an order which he established and which continued until 1819.

The form of the heiau was changed by Pā‘ao and his successors, and the general population mingled less freely in the ceremonies of sacrifice and other forms of worship. The high-priesthood became more mysterious and exclusive.

This intricate system that supported Hawaiʻi’s social and political organization directed every activity of Hawaiian life, from birth through death, until its abolition by King Kamehameha II (Liholiho) in 1819.

The image shows Moʻokini Heiau in North Kohala; it is believed Pā‘ao built or greatly expanded this luakini heiau.

© 2012 Hoʻokuleana LLC

Heiau

Hawaiians had many forms of worship and places where they practiced; invoking peace, war, health or successful fishing and farming, etc.

Families and individuals conducted daily worship services at home, typically at small family improvised altars or shrines.

Small, common places of worship were the ko‘a (fishing,) ‘aumakua (family god) and other shrines.

More formalized worship, offerings and/or sacrifice by chiefs took place in heiau (temples.)

There are many types and forms of heiau, which served as temples and ceremonial sites. Some were used for state worship -where only the paramount ruler of the island and priests were allowed to enter.

Other heiau were used by lower chiefs and priests who controlled smaller political land divisions, and still others were used by individual families who resided in a given area.

Whatever the purpose, heiau are considered sacred and are places where material offerings and prayers in the form of formal supplications were tendered to the gods.

These structures were typically stone-walled enclosures containing several structures and open-air terraces, stone platforms and carved idols in which chiefs paid homage to the major Hawaiian gods.

Some heiau were built for special purposes and were dedicated to spirits or gods: including, agricultural, economy-related, healing or the large sacrificial war temples (as well as others.)

The agricultural or economy-related heiau were dedicated to Lono, where it was believed that offerings would guarantee rain and agricultural fertility and plenty.  The ho‘oulu ‘ai heiau were devoted for a successful season for growing crops to increase the general food supply. 

The lapa‘au heiau dealt with healing.  Herbal remedies and spiritual healing treated illnesses by trained healers. The surroundings served as the natural pharmacy for plant remedies of all kinds. 

The large sacrificial government war temples, luakini heiau, contained altars where human lives were taken when assurance of success in combat was requested or when there was a very grave state emergency, such as pestilence or famine.

Reportedly, oral traditions trace the origin of Hawaiian luakini temple construction to the high priest Pāʻao, who arrived in the islands in the late-thirteenth century.

He introduced several changes to Hawaiian religious practices and social structure that affected temple construction, priestly ritual and worship practices.

Pā‘ao’s period are attributed a greater rigidity of the kapus, the introduction of human sacrifices, "the hardening and confirming of the divisions of society, the exaltation of the nobles and the increase of their prerogatives, the separation and immunity of the priestly order, and the systematic setting down, if not actual debasement, of the commoners "

Prior to the Pā‘ao’s arrival, the Hawaiians worshipped unseen deities.  Reportedly, Pāʻao provided the people with something tangible to worship, through the introduction of wooden temple images as representations of the gods.

These images were not worshipped as gods themselves, but it was thought that the mana or spirit of a god would occupy the carved statue and could be consulted in times of need.

Images used at heiau were manifestations of one of the four major Hawaiian deities Kū (god of war,) Kāne (god of life, a creator, associated with freshwater,) Lono (god of fertility, peace and harvest,) Kanaloa (god of the ocean and voyaging.)

Heiau were constructed under the direction of the ali‘i nui (high chiefs) and kahuna (priests) and were dedicated to different gods for various purposes.

Heiau could change over time with a new ali‘i.  It was not unusual for a heiau to be expanded and modified by a new ruling chief.

Though temple worship was primarily an activity of the royalty, the general population depended upon the effectiveness of these rituals.

Since the gods were looked upon as also being direct ancestors of the ali`i and creators of all Hawaiians, this reverence was a form of ancestor worship,

At the time of European contact, a multitude of heiau functioned in the islands, and early visitors noted many of these:

“They [the Hawaiians] have many temples, which are large enclosures, with piles of stones heaped up in pyramidal forms, like shot in an arsenal, and houses for the priests and others, who remain within them during their taboos. Great numbers of idols, of the most uncouth forms, are placed round within, in all directions: to these they offer sacrifices of hogs, cocoa nuts, bananas, and human victims: the latter are criminals only; formerly, prisoners of war were sometimes sacrificed."

(William Shaler, "Journal of a Voyage between China and the North-Western Coast of America, Made in 1804")

Hawaiians looked to the heiau and their kahuna for order, spiritual help, understanding and guidance.  This was for practical matters, such as, when to plant and harvest, fishing and fishing kapu, healing, giving thanks and going to war.

The image is Ahu‘ena Heiau at Kamakahonu in Kailua Kona (drawn by Choris in 1816.)

Keauhou Heiau Restoration

I touched on this before, but some waaay cool stuff has been going on at Keauhou, on the Big Island, so I wanted to give a little more detail on it.

Over the past several years, Kamehameha Investment (a for-profit arm of Kamehameha Schools) has been restoring heiau on its Keauhou Resort properties.

As background, formalized worship, offerings and/or sacrifice by chiefs took place in temples, or heiau.

These structures were typically stone-walled enclosures containing several houses and open-air temples with terraces, extensive stone platforms, and numerous carved idols in which ruling chiefs paid homage to the major Hawaiian gods.

There were several types of heiau: including agricultural, economy-related, healing or the large sacrificial war temples.

Erecting heiau was the prerogative and responsibility of the Ali‘i, for only they could command the necessary resources to build them, to maintain the priests and to secure the sacrifices that were required for the rituals.

Though temple worship was primarily an affair of the royalty, the whole land depended upon the effectiveness of these rituals.

Three significant heiau have been restored at Keauhou: Hāpaiali‘i Heiau, Ke‘ekū Heiau and Mākole‘ā Heiau.  Using modern-day technology coupled with ancient techniques, restoration of the heiau using the Hawaiian art of uhau humu pōhaku (dry stack masonry) have rebuilt the massive stone platforms. 

Hāpaiali‘i Heiau

Information suggests that Hāpaiali‘i Heiau was built by Ma‘a, a kahuna of Maui, who later left for Kaua‘i.

The period of Ma‘a was said to be later than that of Pa‘ao.  Carbon dating indicates the heiau was built on a smooth Pāhoehoe lava flow sometime between 1411 and 1465.  The heiau was for prayers only.

Ke‘ekū Heiau

Ke‘ekū Heiau is an imposing, heavy-walled enclosure surrounded on the west, north, and east by the ocean at high tide.

Tradition indicates that, after building it, Lonoikamakahiki attacked Kamalalawalu, king of Maui, who had invaded Hawai‘i, and that after defeating Kamalalawalu, Lonoikamakahiki offered him as a sacrifice at Ke‘ekū.

The spirits of his grieving dogs, Kauakahi‘oka‘oka and Kapapako, are said to continue to guard this site.  Outside the entrance to the heiau and towards the southwest are a number of petroglyphs on the pāhoehoe.  One of them is said to represent Kamalalawalu.

During restoration, it was discovered that the heiau also served as a solar calendar.  On the winter solstice, from a spot directly behind the temple's center stone, the sun sets directly off the southwest corner of the heiau; at the vernal equinox, the sun sets directly along the centerline of the temple and at summer solstice, it sets off the northwest corner. 

Mākole‘ā Heiau

Mākole‘ā Heiau (also known as Ke‘ekūpua‘a,) is located 600 feet from the ocean, on the same tidal flat as Hāpaiali‘i Heiau and Ke‘ekū Heiau.

The backwater nearly encircles Ke‘ekū Heiau at high tide does not quite reach Mākole‘ā.  Tradition indicates that the heiau had been built (or consecrated) by Lonoikamakahiki and that it was used for prayers in general. 

Historic Hawai‘i Foundation awarded Preservation Honor Awards for these efforts.

I applaud Kamehameha Investment for these restorations.  While ruins of a heiau are impressive, I really think people today can get a far better appreciation of what heiau are, after they have been restored.

The photo notes the before and after of the restoration of Hāpaiali‘i Heiau (photos primarily from Keauhou Resort.)  In addition, I have added other images of the Keauhou heiau restoration in a folder of like name in the Photos section of my Facebook page.

http://www.facebook.com/peter.t.young.hawaii