The Stitching

Since I started these summary posts, I have received a variety of questions and comments (from many) asking about this or that.

One such included a call from someone at Punahou School who had received the stitching noted in the image; someone saw it for sale in a store on the continent, bought it and gave it to Punahou.

They felt there were Punahou ties.  They asked me what I thought.

First, the center poem: “Friends are like melons; shall I tell you why? To find one good, you must one hundred try.”

I found it was written by Claude Mermet, a French poet who was born in Saint-Rambert-en-Bugey a little before 1550 and died in Saint-Rambert en Bugey in 1620.  (Obviously this is about friends and friendship, but no obvious Hawaiʻi tie … but is there?)
 
Then, the names ... who is listed, who put this together and why was it done?

Some obvious Hawaiʻi ties come up – and lots of association back to Kauai with the likes of Rice, Wilcox and Isenberg … including their connections to Punahou.

It is still an untold story.

So, through this, hopefully more can be known of the Who, Why and When of the piece.  Let us know what you know about this.

It’s interesting … someone finds a piece of stitchery on the continent, sees connections to the Islands, but a mystery remains as to Who, Why and When ….

Here’s a summary and interconnecting linkages between the people noted on the stitchery we have seen thus far:

Wm H Rice
William Hyde Rice (born at Punahou,) son of William Harrison Rice (October 12, 1815-May 27, 1862) (business manager of Punahou School) and Mary Sophia Hyde Rice; husband of Mary Waterhouse Rice)

Mary W Rice
(Mary Waterhouse (July 26, 1846-June 28, 1933;) married William Hyde Rice; Punahou 1861 and 1862) John Thomas Waterhouse Sr., father of Mary.

Mary E Scott
(Mary Eleanor Rice (November 25, 1880-January 22, 1923;) daughter of William Hyde Rice and Mary Waterhouse Rice; married Walter Henry Scott

Anna C Wilcox
(Anna Charlotte Rice (1882- ;) daughter of William Hyde Rice and Mary Waterhouse Rice; married Ralph Lyman Wilcox (son of Samuel Whitney Wilcox and Emma Washburn Lyman Wilcox))

Emily D Rice
(Emily Dole Rice (May 1844 – June 14, 1911;) daughter of William Harrison Rice (1813–1863), and Mary Sophia Hyde; married George De la Vergne) (Punahou 1863 and 1864)

R L Wilcox
(Ralph Lyman Wilcox (1876–1913;) son of Samuel Whitney Wilcox and Emma Washburn Lyman Wilcox;) married Anna Charlotte Rice)

Dora R Isenberg
(Mary Dorothea “Dora” Rice (1862-1949) Maria Rice, sister of William Hyde Rice married Paul Isenberg; Paul and Maria Isenberg had two children, Mary Dorothea Rice Isenberg and Daniel Paul Rice Isenberg (1866-1919).

Emma Wilcox
(Emma Washburn Lyman (September 16, 1849 - July 28, 1934;) daughter of David Belden Lyman (1803–1868) and Sarah Joiner (1806–1885;) married Samuel Whitney Wilcox) (her son, Ralph Lyman Wilcox, married Anna Charlotte Rice)

Susan S Fisher
Harry Fisher (1903-1905) (?)

Rebecca W Watt
Rebecca Waterhouse (?)
Rebecca Wilcox (?)
Rebecca Watt (1803-1915)

It’s ‘all in the family,’ kind of; and, it’s interesting how a piece of fabric can start to call attention to and remind us of stories about people and life in the Islands, especially on Kauai and at Punahou ... but, there is still more to be known about the piece.

I have already done some posts on some of the people noted here, and will be doing some more in the future.  There is an obvious link to Punahou and Kauaʻi.

Any help others can provide on Who, Why and When (or anything more) this was done is appreciated.

The image shows the stitching.  In addition, I have added other images in a folder of like name in the Photos section on my Facebook and Google+ pages.

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Kīpū Kai

When Captain James Cook first made contact with Hawaiʻi, he travelled around the island of Kauaʻi looking for a good anchorage.  When skirting Kauaʻi’s southeast coast, he described the view across Kīpū Kai as:
“…The land on this side of the island rises in a gentle slope from the sea shore to the foot of the Mountains that are in the middle of the island, except in one place, near the East end where they rise directly from the sea; here they seemed to be formed of nothing but stone which lay in horizontal stratus.”

The first drawing of Hawai‘i by a European is William Ellis’ depiction of the Māhāʻulepū – Kīpū Kai coastline, with Mt. Hāʻupu as its focal point.

William Hyde Rice (1846–1924) was a Kauaʻi rancher; in 1879, he bought a section of the Kalapaki ahupuaʻa from Princess Ruth Keʻelikōlani and ran Līhuʻe Ranch on it.

By 1881, he sold most of this land to Līhuʻe Plantation and bought the Kīpū ahupuaʻa from Princess Ruth, he continued to raise cattle, as well as grow sugarcane on Kipu Plantation.

In 1891, Queen Liliʻuokalani appointed Rice to be the Governor of Kauaʻi, a position he held until overthrow in 1893; Rice was the last Governor of Kauaʻi.

Rice married Mary Waterhouse in 1872 and they had eight children.  Rice passed away on June 15, 1924; a monument on Kipu Road was "Erected In Loving Memory By His Japanese Friends" on June 15, 1925.

John Thomas (Jack) Waterhouse (1902 – 1984) was a member of the fourth generation of his family in Hawaiʻi.  (Waterhouse descended from missionaries who came to Hawaii in the 1830s, and from William Alexander, who co-founded Alexander & Baldwin (A&B) in 1870. A&B is one of the “Big 5” companies that dominated sugar and pineapple in Hawaii until the latter part of the twentieth century.  (Roth))

Jack Waterhouse joined A&B in 1930; he became corporate secretary in 1936 and vice president and treasurer in 1958.  He served as director at A&B for 40-years and was also president of Alexander Properties and Waterhouse Investment Co.

In 1948, Waterhouse bought Kipukai Ranch from Rice, his in-law.

For the next 35-years, Waterhouse built roads, planted grass, developed water, irrigation and electrical systems and cared for the land that he loved. (Princeton)

“Kīpū Kai’s two-mile shoreline consists of four beaches separated by low rocky points, set against a backdrop of coastal wetland, green pastures, a perennial stream and soaring cliffs. Public access by land is not allowed. Kīpū Kai teems with birdlife, including many native species, and the coastal marine resources appear to be in pristine condition.“  (NPS)

“Towering above Kīpū Kai valley is the Hāʻupu mountain range, which runs inland nearly eleven miles to Knudsen Gap.”  (NPS)

Kipukai Ranch has one of the state's oldest solar photovoltaic systems (installed in 1988;) it powers  the ranch houses and barns (with diesel generators as backup.)

Waterhouse housed a couple dozen nēnē on the property. (Although remains of ancient nēnē have been found on Kauaʻi, the first wild nēnē were not seen in modern times on Kaua‘i until the early-1970s.)

His birds were subsequently released (or escaped during hurricane Iwa (1982,)) adding to the recovery of nēnē on the island.

In 1977, Waterhouse agreed to deed the property to the State.

“(George Ariyoshi) visited Kipukai and wrote a note in the guestbook that it was ‘a treasure worth preserving for generations to come.’  Subsequently (Waterhouse) deeded the land to the State of Hawaiʻi with the provision that it be used as a natural preserve.”  (George Ariyoshi)

“The State is to take possession when the last of the nieces and nephews are gone, and it will cost the public nothing.”  (George Ariyoshi)

Waterhouse’s heirs control the property until that happens.  In addition to visitor tours/ATV attractions, the land has been the backdrop and subject of various films – the latest was The Descendants.

Kīpū Kai encompasses several separate beach areas.  Until the land transfer to the public and access protocols are established, the area is not accessible to the public.

The single road that leads over the ridges of the Hāʻupu Range into Kīpū Kai is private property and blocked by gates. Most visitors arrive by boat or kayak.

Most of the public recreation at Kīpū Kai occurs at ‘Long Beach,’ with swimming, snorkeling, bodysurfing, bodyboarding, surfing, fishing and beachcombing.

A small cove in the arc of Mōlehu Point at the north end of Long Beach is a popular snorkel site for tour boats. By agreement between commercial boat operators and Kīpū Kai landowners, onshore tour activities are confined to the adjacent beach area.

The image shows Kīpū Kai from the air (JimG, Yelp.)  In addition, I have added related images in a folder of like name in the Photos section on my Facebook and Google+ pages.

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